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100   $a20120430d2012      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aNo innocent bystanders$b[electronic resource] $eperformance art and audience /$fFrazer Ward
210   $aHanover, N.H. $cDartmouth College Press$dc2012
215   $a1 online resource (221 p.)
225  0$aInterfaces, studies in visual culture
300   $aDescription based upon print version of record.
311   $a1-61168-334-3 
320   $aIncludes bibliographical references and index.
327   $aIntroduction: reimagining the audience -- Performance after minimalism: fantasies of public and private -- Acconci: "Public space is wishful thinking" -- Burden: "I'd set it up by telling a bunch of people, and that would make it -- Happen" -- Abramovi?: "You can stop. you don't have to do this." -- Hsieh: "For me, the audience is secondary. however, without them my performances couldn't exist".
330   $aThe changing role of the spectator in contemporary performance art
410  0$aInterfaces: Studies in Visual Culture
606   $aPerformance art
606   $aPerforming arts$xAudiences
615  0$aPerformance art.
615  0$aPerforming arts$xAudiences.
676   $a709.04/0755
676   $a709.040755
700   $aWard$b Frazer$01568811
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910786497203321
996   $aNo innocent bystanders$93841206
997   $aUNINA