LEADER 03065oam 2200673I 450 001 9910786480603321 005 20230126205955.0 010 $a1-315-42423-1 010 $a1-315-42424-X 010 $a1-315-42425-8 010 $a1-61132-058-5 024 7 $a10.4324/9781315424255 035 $a(CKB)2670000000278785 035 $a(EBL)1062360 035 $a(OCoLC)818820271 035 $a(SSID)ssj0000826776 035 $a(PQKBManifestationID)12314769 035 $a(PQKBTitleCode)TC0000826776 035 $a(PQKBWorkID)10821225 035 $a(PQKB)10438675 035 $a(MiAaPQ)EBC1062360 035 $a(Au-PeEL)EBL1062360 035 $a(CaPaEBR)ebr10626994 035 $a(CaONFJC)MIL932554 035 $a(OCoLC)954006976 035 $a(EXLCZ)992670000000278785 100 $a20180706e20162012 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aMundane objects $emateriality and non-verbal communication /$fPierre Lemonnier 210 1$aLondon :$cRoutledge,$d2016. 215 $a1 online resource (206 p.) 225 0 $aCritical cultural heritage series 300 $aFirst published 2012 by Left Coast Press, Inc. 311 $a1-61132-057-7 311 $a1-61132-056-9 320 $aIncludes bibliographical references and index. 327 $aContents; List of Illustrations; Acknowledgements; Introduction; Chapter 1. Too Sturdy To Be Mundane: A Baruya Garden Fence; Chapter 2. Entwined by Nature: Eels, Traps, and Ritual; Chapter 3. The Anthropological Complexity of Unremarkable Drums; Chapter 5. Race Cars, Dinky Toys, and Aging Boys; Chapter 6. What Materiality Means: Objects as Resonators; Chapter 7. What's New? Blurring Anthropological Borders but Keeping "Technology" in Mind; Chapter 8. The Paradox of Marginal Changes; Notes; References; Index; About the Author 330 $aThis concise book shows the importance of objects that are considered ordinary by cultural outsiders and scholars, yet lie at the heart of the systems of thought and practices of their makers and users. This volume demonstrates the role of these objects in non-verbal communication, both in non-ritual and in ritual situations. Lemonnier shows that some objects, their physical properties and their material implementation, are wordless expressions of fundamental aspects of a way of living and thinking, as well as sometimes the only means of expressing the inexpressible. Through the study of 410 0$aCritical Cultural Heritage Series 606 $aTechnology$xSocial aspects 606 $aMaterial culture 606 $aNonverbal communication 615 0$aTechnology$xSocial aspects. 615 0$aMaterial culture. 615 0$aNonverbal communication. 676 $a303.48/3 676 $a303.483 700 $aLemonnier$b Pierre$f1948-,$01578619 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910786480603321 996 $aMundane objects$93858193 997 $aUNINA