LEADER 02347nam 2200553 450 001 9910786416803321 005 20230803202554.0 010 $a1-78023-319-1 035 $a(CKB)3710000000115304 035 $a(EBL)1693645 035 $a(SSID)ssj0001253881 035 $a(PQKBManifestationID)11707602 035 $a(PQKBTitleCode)TC0001253881 035 $a(PQKBWorkID)11216000 035 $a(PQKB)11703595 035 $a(MiAaPQ)EBC1693645 035 $a(Au-PeEL)EBL1693645 035 $a(CaPaEBR)ebr10875746 035 $a(CaONFJC)MIL615160 035 $a(OCoLC)880531534 035 $a(EXLCZ)993710000000115304 100 $a20140611h20142014 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe luminous and the grey /$fDavid Batchelor 210 1$aLondon, England :$cReaktion Books,$d2014. 210 4$dİ2014 215 $a1 online resource (113 p.) 300 $aDescription based upon print version of record. 311 $a1-78023-280-2 320 $aIncludes bibliographical references. 327 $aCover; The Luminous and the Grey; Imprint Page; Contents; Preface; One: The Beginning and the End of Colour; Two: The Luminous and the Grey; Three: The Grey and the Luminous; References; Bibliography; Acknowledgements; List of Illustrations 330 $aColor surrounds us: the lush green hues of trees and grasses, the variant blues of water and the sky, the bright pops of yellow and red from flowers. But at the same time, color lies at the limits of language and understanding. In this absorbing sequel to Chromophobia-which addresses the extremes of love and loathing provoked by color since antiquity-David Batchelor charts color's more ambiguous terrain. The Luminous and the Grey explores the places where color comes into being and where it fades away, probing when it begins and when it ends both in the imagination a 606 $aColor$xPsychological aspects 606 $aColor in art 615 0$aColor$xPsychological aspects. 615 0$aColor in art. 676 $a155.91145 700 $aBatchelor$b David$01530304 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910786416803321 996 $aThe luminous and the grey$93775303 997 $aUNINA