LEADER 03719nam 2200589 450 001 9910786386403321 005 20230803025934.0 010 $a1-84888-121-5 024 7 $a10.1163/9781848881211 035 $a(CKB)2670000000350209 035 $a(EBL)3316276 035 $a(SSID)ssj0001355699 035 $a(PQKBManifestationID)11733545 035 $a(PQKBTitleCode)TC0001355699 035 $a(PQKBWorkID)11347259 035 $a(PQKB)11677081 035 $a(MiAaPQ)EBC3316276 035 $a(OCoLC)842137694 035 $a(nllekb)BRILL9781848881211 035 $a(Au-PeEL)EBL3316276 035 $a(CaPaEBR)ebr10927695 035 $a(EXLCZ)992670000000350209 100 $a20140919h20132013 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt 182 $cc 183 $acr 200 00$aActivating the inanimate $evisual vocabularies of performance practice /$fedited by Celia Morgan and Filipa Malva 210 1$aOxfordshire, England :$cInter-Disciplinary Press,$d2013. 210 4$d©2013 215 $a1 online resource (251 p.) 225 1 $aCritical Issues 300 $aDescription based upon print version of record. 311 $a90-04-37202-4 320 $aIncludes bibliographical references at the end of each chapters. 327 $tPreliminary Material /$rCelia Morgan and Filipa Malva -- $tSymbolic Language and the Mythical Middle Ground /$rCelia Morgan -- $tLooking at Postmodern Performances of Canonical Plays /$rBilha Blum -- $tThe Full and the Void in the Theatre of Robert Wilson /$rMarcelo de Andrade Pereira -- $tThe Power of Images in Performance: Josef Svoboda?s Scenography for Intolleranza 1960 at Boston Opera Company /$rBarbora P?íhodová -- $tLoďe Fuller and her Legacy: The Visual and the Virtual /$rLiora Malka Yellin -- $tLittle Cinderella, Big Cinderella: Scenography as Performance /$rFilipa Malva -- $tVisionary Voice / Silent Clown /$rAndrew Cope -- $tBioscenography: Towards the Scenography of Non-Representation /$rParjad Sharifi -- $tFrom Verbal to Visual: References to Clothes in Shakespeare?s Plays as Metaphor, Symbol and Concept for Costume Design /$rPnina Black Porter -- $tEmotion and Memory: Clothing the Body as Performance /$rJessica Bugg -- $tDance Costumes on Display: Reflections and Practice /$rSofia Pantouvaki -- $tAddressing the Absent: Drawing and Scenography /$rKate Burnett -- $tThe Explanatory Frame /$rMyer Taub -- $tBurning Man: Scenography for the Masses /$rVirginia L. Vogel -- $tPerformance Art as Intervention in Everyday Life: Participation, the Public Sphere and the Production of Meaning /$rAlexandra Antoniadou -- $tWhere is the Performance? What has Become of It? /$rMyfanwyn Ryan -- $tOld Arts in New Media: Qualified Ontologies of ?Live? in the Age of Media Casting /$rAdele Anderson -- $t?Seed of the Image?: Image Metaphor as a Strategy of Creative Process and Ideological Resistance /$rChee-Keng Lee -- $tMaking from Scratch: A Transdisciplinary Research into the Historical and Social Production of Subjectivity /$rHaya Cohen -- $tDancing Clowns and Desert Dunes: Challenging Traditional Imagery in Flamenco-Fusion /$rIdit Suslik -- $tDistances in Time and Space: Fictional Medieval Constructs of the Indian Other in the Colonial Imaginary /$rSarah Bonnie. 410 0$aCritical issue. 606 $aTheater 606 $aPerforming arts 615 0$aTheater. 615 0$aPerforming arts. 676 $a792 702 $aMorgan$b Celia 702 $aMalva$b Filipa 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910786386403321 996 $aActivating the inanimate$93736261 997 $aUNINA