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100   $a20120613d2012      uy             0
101 0 $aeng
135   $aur|||||||||||
181   $ctxt
182   $cc
183   $acr
200 14$aThe creative process in music from Mozart to Kurta?g$b[electronic resource] /$fWilliam Kinderman
210   $aUrbana $cUniversity of Illinois Press$dc2012
215   $a1 online resource (258 p.)
300   $aDescription based upon print version of record.
311   $a0-252-08260-5 
311   $a0-252-03716-2 
320   $aIncludes bibliographical references and index.
327   $a""Cover""; ""Ttile Page""; ""Copyright""; ""Contents""; ""Illustrations""; ""Introduction""; ""1. Mozart's Second Thoughts""; ""2. Beethoven's Unfinished Piano Trio in F Minor from 1816""; ""3. Schumann, Beethoven, and the Distant Beloved""; ""4. Aesthetics of Integration in Mahler's Fifth Symphony""; ""5. Folklore Transformed in Bartok's Dance Suite""; ""6. Kurtig's Kafka Fragments and Hommage R. Sch.""; ""Notes""; ""Index""
330 8 $aIn this intriguing study, William Kinderman opens the door to the composer's workshop, investigating not just the final outcome but the process of creative endeavour in music.
606   $aMusic$xHistory and criticism
606   $aCreation (Literary, artistic, etc.)
615  0$aMusic$xHistory and criticism.
615  0$aCreation (Literary, artistic, etc.)
676   $a781.1/7
700   $aKinderman$b William$0788724
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801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910786361903321
996   $aThe creative process in music from Mozart to Kurta?g$93786935
997   $aUNINA