LEADER 03719nam 2200613Ia 450 001 9910786243503321 005 20230721044746.0 010 $a1-4438-1043-6 035 $a(CKB)2670000000341146 035 $a(EBL)1133055 035 $a(OCoLC)830168369 035 $a(SSID)ssj0000833799 035 $a(PQKBManifestationID)11519922 035 $a(PQKBTitleCode)TC0000833799 035 $a(PQKBWorkID)10935880 035 $a(PQKB)10151067 035 $a(Au-PeEL)EBL1133055 035 $a(CaPaEBR)ebr10677014 035 $a(CaONFJC)MIL495889 035 $a(OCoLC)929646261 035 $a(FlNmELB)ELB125121 035 $a(MiAaPQ)EBC1133055 035 $a(EXLCZ)992670000000341146 100 $a20080130d2007 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 00$aOn the turn$b[electronic resource] $ethe ethics of fiction in contemporary narrative in English /$fedited by Barbara Arizti and Silvia Martinez-Falquina 210 $aNewcastle, UK $cCambridge Scholars Pub.$d2007 210 1$aNewcastle, UK :$cCambridge Scholars Pub.,$d2007. 215 $a1 online resource (448 p.) 300 $aDescription based upon print version of record. 311 $a1-84718-358-1 320 $aIncludes bibliographical references. 327 $aTABLE OF CONTENTS; INTRODUCTION; PART I; "THANKLESS EARTH, BUT NOT ENTIRELY"; VISCERAL PERTURBATIONS AND HUMAN JUDGEMENT; IAN MCEWAN'S BLACK DOGS (1992) AND THE ETHICS OF A POST-POSTMODERN CRITICAL NEO-HUMANISM; PART II; THE ETHICS OF NARRATIVE FORM IN A.S. BYATT'S BABEL TOWER; THE ETHICS OF ROMANCE; A MOST (UN-)ETHICAL STANCE; TAKING OURSELVES FOR POETRY; PART III; BEYOND CODUCTION, REDRESSING SKINS; "I KNOW NOW THAT THIS IS THE WAY ...THE FINAL METAMORPHOSIS. I MUST DRIVE OUT MY OLD SELF AND LET THE UNIVERSE IN" 327 $aSELF-RESPONSIBILITY AND THE ARTICULATION OF IDENTITY AS REFLECTED IN JANETTE TURNER HOSPITAL'S THE LAST MAGICIAN AND OYSTER THE ETHICS AND POLITICS OF REPRESENTATION IN A CLIMATE OF ISLAMOPHOBIA; EQUITY AS ETHICAL PRINCIPLE IN (POST-)COLONIAL LITERATURES; PART IV; THE RELEVANCE OF ORWELLIAN POLITICAL ETHICS TODAY; SERIOUSLY FUNNY AND YET NO LAUGHING MATTER; FASCISM AND NEUROSIS IN SPAIN; HISTORICAL REFLECTIONS, IMAGES, AND ETHICAL SUMMONS IN E.L. DOCTOROW'S THE MARCH; PART V; SYMPATHY FOR THE DEVIL? VISIONARY WRITING AND ETHICAL UNREADABILITY IN FLANNERY O'CONNOR'S TALES 327 $a"HOW CAN YOU SAY THEY'RE LIKE YOU AND ME?"THE ETHICS OF THE ADJOINING; NEW VOCABULARY OF ATTENTION; THE DANGERS AND ADVANTAGES OF THE RETURN TO ETHICS IN LITERARY CRITICISM; FINDING WHAT YOU WANT IN PAUL AUSTER'S CITY OF GLASS; LIST OF CONTRIBUTORS 330 $aOn the Turn: The Ethics of Fiction in Contemporary Narrative in English is an attempt to listen to the various voices that participate in the current dialogue on the relationship between fiction and ethics. The editors' introduction investigates the current state of affairs on the return to ethics in critical and literary consideration, and it opens up the way for the variety of approaches that follows. Participants include internationally recognized scholars like Andrew Gibson, Patricia Wau... 606 $aEthics in literature 606 $aEnglish fiction$y20th century$xHistory and criticism 615 0$aEthics in literature. 615 0$aEnglish fiction$xHistory and criticism. 676 $a823.9209 701 $aArizti$b Barbara$01524742 701 $aMartinez-Falquina$b Silvia$01524743 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910786243503321 996 $aOn the turn$93765773 997 $aUNINA