LEADER 04134nam 2200649 a 450 001 9910786242403321 005 20230803025734.0 010 $a1-62103-006-7 035 $a(CKB)2670000000341338 035 $a(EBL)1137755 035 $a(OCoLC)805892449 035 $a(SSID)ssj0000832687 035 $a(PQKBManifestationID)11442624 035 $a(PQKBTitleCode)TC0000832687 035 $a(PQKBWorkID)10899585 035 $a(PQKB)10264170 035 $a(StDuBDS)EDZ0000206376 035 $a(MiAaPQ)EBC1137755 035 $a(MdBmJHUP)muse31338 035 $a(Au-PeEL)EBL1137755 035 $a(CaPaEBR)ebr10672362 035 $a(CaONFJC)MIL838037 035 $a(EXLCZ)992670000000341338 100 $a20120802d2013 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe artistry of Afro-Cuban bata? drumming$b[electronic resource] $eaesthetics, transmission, bonding, and creativity /$fKenneth Schweitzer 210 $aJackson $cUniversity Press of Mississippi$d2013 215 $a1 online resource (257 p.) 225 1 $aCaribbean studies series 300 $aDescription based upon print version of record. 311 $a1-61703-669-2 320 $aIncludes bibliographical references and index. 327 $aCover; Contents; Acknowledgments; A Note on Typography and Word Usage; Introduction; 1. The Lucumi? Religion and Its Music; 2. Omo An?a?: The Fraternity of Bata? Drummers; 3. Overview of the Bata? Repertoire; 4. Learning the Basics: Experiential Learning; 5. Pancho Quinto: Rumbero and Batalero; 6. Traditional N?ongo: Musical Analysis; 7. Modern N?ongo: The Evolution of a Toque; Appendix 1: Transcriptions of N?ongo Excerpts; Appendix 2: Musical Examples Available on Website; Glossary; A; B; C; D; E; F; G; I; J; O; P; R; S; T; Y; Notes; References; Index; A; B; C; D; E; F; G; H; I; J; L; M; N; O; P; Q 327 $aRS; T; V; W; Y 330 $aAn iconic symbol and sound of the Lucumi/Santeria religion, Afro-Cuban bata are talking drums that express the epic mythological narratives of the West African Yoruba deities known as orisha. By imitating aspects of speech and song and by metaphorically referencing salient attributes of the deities, bata drummers facilitate the communal praising of orisha in a music ritual known as a toque de santo. In The Artistry of Afro-Cuban Bata Drumming, Kenneth Schweitzer blends musical transcription, musical analysis, interviews, ethnographic descriptions, and observations from his own experience as a ritual drummer to highlight the complex variables at work during a live Lucumi performance. Integral in enabling trance possessions by the orisha, by far the most dramatic expressions of Lucumi faith, bata drummers are also entrusted with controlling the overall ebb and flow of the four- to six-hour toque de santo. During these events, bata drummers combine their knowledge of ritual with an extensive repertoire of rhythms and songs. Musicians focus on the many thematic acts that unfold both concurrently and in quick succession. In addition to creating an emotionally charged environment, playing salute rhythms for the orisha, and supporting the playful song competitions that erupt between singers, bata drummers are equally dedicated to nurturing their own drumming community by creating a variety of opportunities for the musicians to grow artistically and creatively. 410 0$aCaribbean studies series (Jackson, Miss.) 606 $aBata? music$xHistory and criticism 606 $aMusic$zCuba$xHistory and criticism 606 $aDrum$zCuba 606 $aMusic$xAfrican influences 615 0$aBata? music$xHistory and criticism. 615 0$aMusic$xHistory and criticism. 615 0$aDrum 615 0$aMusic$xAfrican influences. 676 $a786.9/4097291 700 $aSchweitzer$b Kenneth George$01524732 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910786242403321 996 $aThe artistry of Afro-Cuban bata? drumming$93765763 997 $aUNINA