LEADER 01018nam0-22003251i-450- 001 990007834020403321 005 20050714100904.0 010 $a3-7995-2711-7 035 $a000783402 035 $aFED01000783402 035 $a(Aleph)000783402FED01 035 $a000783402 100 $a20031029d1993----km-y0itay50------ba 101 0 $ager 102 $aDE 105 $aa-------001yy 200 1 $aGrabmonumente der Dogen$eVenezianische Sepulkralkunst im Cinquecento$fJan Simane 210 $aSigmaringen$cThorbecke$d1993 215 $a160 p.$cill.$d24 cm 225 1 $aStudi$fCentro tedesco di studi veneziani$d=Schriftenreihe des Deutschen Studienzentrums in Venedig$v11 610 0 $aMonumenti sepolcrali$aVenezia$aCinquecento 676 $a726.8$v21$zita 700 1$aSimane,$bJan$0280507 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990007834020403321 952 $a726.8 SIM 1$bBibl. 48221$fFLFBC 959 $aFLFBC 996 $aGrabmonumente der Dogen$9663730 997 $aUNINA LEADER 03940nam 22010335 450 001 9910786229003321 005 20230508162845.0 010 $a0-520-95486-6 024 7 $a10.1525/9780520954861 035 $a(CKB)2670000000339457 035 $a(EBL)1143403 035 $a(OCoLC)830161947 035 $a(SSID)ssj0000834347 035 $a(PQKBManifestationID)11411994 035 $a(PQKBTitleCode)TC0000834347 035 $a(PQKBWorkID)10981522 035 $a(PQKB)11659133 035 $a(StDuBDS)EDZ0001053988 035 $a(DE-B1597)520162 035 $a(DE-B1597)9780520954861 035 $a(MiAaPQ)EBC1143403 035 $a(EXLCZ)992670000000339457 100 $a20200424h20132013 fg 0 101 0 $aeng 135 $aurnn#---|u||u 181 $ctxt 182 $cc 183 $acr 200 10$aUbiquitous Listening $eAffect, Attention, and Distributed Subjectivity /$fAnahid Kassabian 210 1$aBerkeley, CA :$cUniversity of California Press,$d[2013] 210 4$dİ2013 215 $a1 online resource (184 p.) 300 $aDescription based upon print version of record. 311 0 $a0-520-27515-2 320 $aIncludes bibliographical references and index. 327 $tFront matter --$tContents --$tAcknowledgments --$tIntroduction --$t1. Ubiquitous Listening --$t2. Listening to Video Art and the Problem of Too Many Homelands --$t3. "BOOM!" Is the Next Big Thing --$t4. Musicals Hit the Small Screen --$t5. Improvising Diasporan Identities --$t6. Would You Like Some World Music with Your Latte? --$tConclusion --$tNotes --$tWorks Cited --$tIndex 330 $aHow does the constant presence of music in modern life-on iPods, in shops and elevators, on television-affect the way we listen? With so much of this sound, whether imposed or chosen, only partially present to us, is the act of listening degraded by such passive listening? In Ubiquitous Listening, Anahid Kassabian investigates the many sounds that surround us and argues that this ubiquity has led to different kinds of listening. Kassabian argues for a new examination of the music we do not normally hear (and by implication, that we do), one that examines the way it is used as a marketing tool and a mood modulator, and exploring the ways we engage with this music. 606 $aListening 606 $aMusic -- Philosophy and aesthetics 606 $aSound 606 $aMusic$xPhilosophy and aesthetics 606 $aListening 606 $aSound 610 $aart. 610 $aartists. 610 $abackground noise. 610 $aclever insight. 610 $acritical theory. 610 $acultural hybridization. 610 $adigital art. 610 $adigital music. 610 $aengage with music. 610 $aengaging. 610 $afor reference. 610 $alistening. 610 $alively. 610 $amarketing tools. 610 $amedia studies. 610 $amodern life. 610 $amood modulation. 610 $amusic and sound. 610 $amusic appreciation. 610 $amusic. 610 $amusical moments. 610 $amusical thought. 610 $amusicology. 610 $apassive listening. 610 $aperforming arts. 610 $apopular music. 610 $asonic experiences. 610 $asonic tourism. 610 $asound studies. 610 $asound theory. 610 $asound. 610 $awhite noise. 615 4$aListening. 615 4$aMusic -- Philosophy and aesthetics. 615 4$aSound. 615 0$aMusic$xPhilosophy and aesthetics 615 0$aListening 615 0$aSound 676 $a781.11 700 $aKassabian$b Anahid$4aut$4http://id.loc.gov/vocabulary/relators/aut$0625448 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a9910786229003321 996 $aUbiquitous Listening$93719067 997 $aUNINA