LEADER 03478nam 2200553Ia 450 001 9910786224003321 005 20230803025713.0 010 $a1-78320-069-3 035 $a(CKB)2670000000341899 035 $a(EBL)1160346 035 $a(OCoLC)836405057 035 $a(SSID)ssj0000913682 035 $a(PQKBManifestationID)11596349 035 $a(PQKBTitleCode)TC0000913682 035 $a(PQKBWorkID)10862171 035 $a(PQKB)10410068 035 $a(MiAaPQ)EBC1160346 035 $a(Au-PeEL)EBL1160346 035 $a(CaPaEBR)ebr10675237 035 $a(CaONFJC)MIL884492 035 $a(EXLCZ)992670000000341899 100 $a20130404d2013 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe Cinema makers$b[electronic resource] $epublic life and the exhibition of difference in south-eastern and central europe since the 1960s /$fby Anna Schober 210 $aBristol $cIntellect$d2013 215 $a1 online resource (258 p.) 300 $aDescription based upon print version of record. 311 $a1-84150-515-3 327 $aCover; Half Title; Title; Copyright; Contents; List of Illustrations; Acknowledgements; Abbreviations; Introduction; Chapter 1: In the middle of things: city, cinema and the public sphere; 1.1. Cinema's potential for creating a public sphere; 1.2. Difference and the unfamiliar; 1.3. The subject in process: rituals, revolt and storytelling; Chapter 2: Movements and places: modern order and the cinema-squats of the 1960's; 2.1. Cinema and the modern attempt to eliminate ambivalence; 2.2. To become cinema-makers: expanded and other cinemas, the Crni Talas and OHO 327 $a2.3. Transnationality: interaction and struggle vis-a?-vis official strategies 2.4. Difference, privatized ambivalence and the (informal) public sphere; Chapter 3: Films and urban interventions: the rediscovery of difference since the 1960's; 3.1. The migrant guest worker: Fassbinder's interventions in the projection spaces of the imagination; 3.2. The figuration of difference as aesthetic, sexual and ethnic difference in Yugoslav cinema since the 1960's; Chapter 4: Follow-up initiatives; 4.1. Violence and humour: cinema activism in times of war 327 $a4.2. Enthusiasm and critique: cinema between flash mob, new urban transition spaces and art Interviews Cited; References; Back Cover 330 $aThe Cinema Makers investigates how cinema spectators in south-eastern and central European cities became cinema makers through such practices as squatting in existing cinema spaces, organizing cinema 'events', writing about film and making films themselves. Drawing on a corpus of interviews with cinema activists in Germany, Austria and the former Yugoslavia, Anna Schober compares the activities and artistic productions they staged in cities such as Vienna, Cologne, Munich, Berlin, Hamburg, Ljubljana, Belgrade, Novi Sad, Subotica, Zagreb and Sarajevo. The resulting study illuminates the differerences 606 $aMotion pictures$zEurope$xHistory$y21st century 606 $aViolence in motion pictures 615 0$aMotion pictures$xHistory 615 0$aViolence in motion pictures. 676 $a791.43094 700 $aSchober$b Anna$01541854 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910786224003321 996 $aThe Cinema makers$93794235 997 $aUNINA