LEADER 04249nam 2200841 a 450 001 9910786195103321 005 20230120092442.0 010 $a0-8232-4535-7 010 $a0-8232-5254-X 010 $a0-8232-5036-9 024 7 $a10.1515/9780823245352 035 $a(CKB)2670000000275473 035 $a(EBL)3239755 035 $a(SSID)ssj0000756309 035 $a(PQKBManifestationID)11484485 035 $a(PQKBTitleCode)TC0000756309 035 $a(PQKBWorkID)10749321 035 $a(PQKB)10906409 035 $a(StDuBDS)EDZ0000124818 035 $a(OCoLC)820632023 035 $a(MdBmJHUP)muse19472 035 $a(DE-B1597)555189 035 $a(DE-B1597)9780823245352 035 $a(Au-PeEL)EBL3239755 035 $a(CaPaEBR)ebr10611571 035 $a(OCoLC)923764070 035 $a(Au-PeEL)EBL4704536 035 $a(MiAaPQ)EBC3239755 035 $a(MiAaPQ)EBC1107657 035 $a(MiAaPQ)EBC4704536 035 $a(EXLCZ)992670000000275473 100 $a20120726d2013 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aMarginal modernity$b[electronic resource] $ethe aesthetics of dependency from Kierkegaard to Joyce /$fLeonardo F. Lisi 205 $a1st ed. 210 $aNew York $cFordham University Press$dc2013 215 $a1 online resource (350 p.) 300 $aDescription based upon print version of record. 311 $a0-8232-4532-2 320 $aIncludes bibliographical references and index. 327 $aIntroduction: The aesthetics of modernism -- Presuppositions and varieties of aesthetic experience -- Johan Ludvig Heiberg and the autonomy of art -- Aesthetics of fragmentation in Henrik Ibsen's Peer Gynt -- Nora's departure and the aesthetics of dependency -- Henry James and the emergence of the major phase -- Hugo von Hofmannsthal and the language of the future -- Conflict and mediation in James Joyce's The dead -- Intransitive love in Rainer Maria Rilke's The notebooks of Malte Laurids Brigge. 330 $aTwo ways of understanding the aesthetic organization of literary works have come down to us from the late 18th century and dominate discussions of European modernism today: the aesthetics of autonomy, associated with the self-sufficient work of art, and the aesthetics of fragmentation, practiced by the avant-gardes. In this revisionary study, Leonardo Lisi argues that these models rest on assumptions about the nature of truth and existence that cannot be treated as exhaustive of modernist form.Lisi traces an alternative aesthetics of dependency that provides a different formal structure, philosophical foundation, and historical condition for modernist texts. Taking Europe's Scandinavian periphery as his point of departure, Lisi examines how Søren Kierkegaard and Henrik Ibsen imagined a response to the changing conditions of modernity different from those at the European core, one that subsequently influenced Henry James, Hugo von Hofmannsthal, Rainer Maria Rilke, and James Joyce.Combining close readings with a broader revision of the nature and genealogy of modernism, Marginal Modernity challenges what we understand by modernist aesthetics, their origins, and their implications for how we conceive of our relation to the modern world. 606 $aModernism (Literature) 606 $aDependency (Psychology) in literature 606 $aAesthetics in literature 606 $aPhilosophy in literature 610 $aAesthetics. 610 $aHenrik Ibsen. 610 $aHenry James. 610 $aHugo von Hofmannsthal. 610 $aJ.L. Heiberg. 610 $aJames Joyce. 610 $aModernism. 610 $aPhilosophy and Literature. 610 $aRainer Maria Rilke. 610 $aSøren Kierkegaard. 615 0$aModernism (Literature) 615 0$aDependency (Psychology) in literature. 615 0$aAesthetics in literature. 615 0$aPhilosophy in literature. 676 $a809/.9112 700 $aLisi$b Leonardo F$01498864 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910786195103321 996 $aMarginal modernity$93724553 997 $aUNINA