LEADER 03082nam 2200637Ia 450 001 9910457885603321 005 20200520144314.0 010 $a1-280-11659-5 010 $a9786613520883 010 $a0-520-95206-5 024 7 $a10.1525/9780520952065 035 $a(CKB)2550000000084034 035 $a(EBL)850697 035 $a(OCoLC)775871185 035 $a(SSID)ssj0000611676 035 $a(PQKBManifestationID)11445575 035 $a(PQKBTitleCode)TC0000611676 035 $a(PQKBWorkID)10666861 035 $a(PQKB)10299375 035 $a(StDuBDS)EDZ0000092607 035 $a(MiAaPQ)EBC850697 035 $a(MdBmJHUP)muse31009 035 $a(DE-B1597)520236 035 $a(DE-B1597)9780520952065 035 $a(Au-PeEL)EBL850697 035 $a(CaPaEBR)ebr10533545 035 $a(CaONFJC)MIL352088 035 $a(EXLCZ)992550000000084034 100 $a20111005d2012 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aDesire and pleasure in seventeenth-century music$b[electronic resource] /$fSusan McClary 210 $aBerkeley $cUniversity of California Press$dc2012 215 $a1 online resource (356 p.) 300 $aDescription based upon print version of record. 311 $a0-520-24734-5 320 $aIncludes bibliographical references and index. 327 $tFrontmatter -- $tContents -- $tAcknowledgments -- $tPrelude: The Music of Pleasure and Desire -- $tPart I. The Hydraulics of Musical Desire -- $tPart II. Gendering Voice -- $tPart III. Divine Love -- $tPart IV. Dancing Bodies -- $tPart V. La Mode Française -- $tPostlude: Toward Consolidation -- $tNotes -- $tIndex 330 $aIn this book, Susan McClary examines the mechanisms through which seventeenth-century musicians simulated extreme affective states-desire, divine rapture, and ecstatic pleasure. She demonstrates how every major genre of the period, from opera to religious music to instrumental pieces based on dances, was part of this striving for heightened passions by performers and listeners. While she analyzes the social and historical reasons for the high value placed on expressive intensity in both secular and sacred music, and she also links desire and pleasure to the many technical innovations of the period. McClary shows how musicians-whether working within the contexts of the Reformation or Counter-Reformation, Absolutists courts or commercial enterprises in Venice-were able to manipulate known procedures to produce radically new ways of experiencing time and the Self. 606 $aMusic$y17th century$xHistory and criticism 606 $aMusical criticism 608 $aElectronic books. 615 0$aMusic$xHistory and criticism. 615 0$aMusical criticism. 676 $a780.9/032 700 $aMcClary$b Susan$01005722 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910457885603321 996 $aDesire and pleasure in seventeenth-century music$92468399 997 $aUNINA LEADER 03473nam 2200829 a 450 001 9910786194803321 005 20230120082849.0 010 $a0-8232-4538-1 010 $a0-8232-4539-X 010 $a0-8232-5068-7 010 $a0-8232-5045-8 024 7 $a10.1515/9780823245390 035 $a(CKB)2670000000275477 035 $a(EBL)3239759 035 $a(SSID)ssj0000755346 035 $a(PQKBManifestationID)11438046 035 $a(PQKBTitleCode)TC0000755346 035 $a(PQKBWorkID)10729747 035 $a(PQKB)10431966 035 $a(StDuBDS)EDZ0000124819 035 $a(OCoLC)830023503 035 $a(MdBmJHUP)muse19473 035 $a(DE-B1597)555041 035 $a(DE-B1597)9780823245390 035 $a(Au-PeEL)EBL3239759 035 $a(CaPaEBR)ebr10611575 035 $a(Au-PeEL)EBL1107658 035 $a(CaPaEBR)ebr11198171 035 $a(CaONFJC)MIL818125 035 $a(OCoLC)915134883 035 $a(MiAaPQ)EBC3239759 035 $a(MiAaPQ)EBC1107658 035 $a(MiAaPQ)EBC30392623 035 $a(Au-PeEL)EBL30392623 035 $a(OCoLC)1352202834 035 $a(EXLCZ)992670000000275477 100 $a20120802d2013 uy 0 101 0 $aeng 135 $aurnn#---|u||u 181 $ctxt 182 $cc 183 $acr 200 10$aConstellation$b[electronic resource] $eFriedrich Nietzsche and Walter Benjamin in the now-time of history /$fJames McFarland 205 $a1st ed. 210 $aNew York $cFordham University Press$d2013 215 $a1 online resource (341 p.) 300 $aDescription based upon print version of record. 311 0 $a0-8232-6309-6 311 0 $a0-8232-4536-5 320 $aIncludes bibliographical references and index. 327 $tFront matter --$tContents --$tPreface --$tAbbreviations --$tA note on citations --$tIntroduction --$tChapter One. Mortal Youth --$tChapter Two. Presentation --$tChapter Three. Inscription --$tChapter Four. Collaboration --$tChapter Five. Mad Maturity --$tNotes --$tBibliography --$tIndex 330 $aConstellation is the first extended exploration of the relationship between Walter Benjamin, the Weimar-era revolutionary cultural critic, and the radical philosopher Friedrich Nietzsche. The affinity between these noncontemporaneous thinkers serves as a limit case manifesting the precariousness and potentials of cultural transmission in a disillusioned present. In five chapters, Constellation presents the changing figure of Nietzsche as Benjamin encountered him: an inspiration to his student activism, an authority for his skeptical philology, a manifestation of his philosophical nihilism, a companion in his political exile, and ultimately a subversive collaborator in his efforts to think beyond the hopeless temporality?new and always the same?of the present moment in history. 606 $aLITERARY CRITICISM / Semiotics & Theory$2bisacsh 610 $aBenjamin. 610 $aNietzsche. 610 $aexile. 610 $anihilism. 610 $aphilology. 610 $arevolution. 610 $astudent activism. 610 $atemporality. 610 $atragedy. 615 7$aLITERARY CRITICISM / Semiotics & Theory. 676 $a193 700 $aMcFarland$b James$g(Philip James)$01498862 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910786194803321 996 $aConstellation$93724550 997 $aUNINA