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Jahrhunderts$91506483 997 $aUNINA LEADER 00920nam a2200241 i 4500 001 991002603039707536 005 20020503171151.0 008 010104s1965 it ||| | ita 035 $ab10388643-39ule_inst 035 $aEXGIL106783$9ExL 040 $aBiblioteca Interfacoltà$bita 082 0 $a942.0550924 100 1 $aTassi, Maria Laura$0466612 245 10$aElisabetta 1. d'Inghilterra, la vergine dal pugno di ferro 260 $aMilano :$bDe Vecchi,$c1965 300 $aIX, 319 p. :$bill., 6 tav. ;$c21 cm. 650 4$aElisabetta 907 $a.b10388643$b02-04-14$c27-06-02 912 $a991002603039707536 945 $aLE002 St. XI D 26$g1$i2002000698988$lle002$o-$pE0.00$q-$rl$s- $t0$u6$v2$w6$x0$y.i10453672$z27-06-02 996 $aElisabetta 1. d'Inghilterra, la vergine dal pugno di ferro$9219900 997 $aUNISALENTO 998 $ale002$b01-01-01$cm$da $e-$fita$git $h0$i1 LEADER 03702oam 2200697I 450 001 9910786187303321 005 20230725035210.0 010 $a1-283-96643-3 010 $a0-203-62612-5 010 $a1-136-08666-8 024 7 $a10.4324/9780203626122 035 $a(CKB)2670000000325274 035 $a(EBL)1111662 035 $a(OCoLC)826855934 035 $a(SSID)ssj0000819991 035 $a(PQKBManifestationID)11515121 035 $a(PQKBTitleCode)TC0000819991 035 $a(PQKBWorkID)10857512 035 $a(PQKB)10218625 035 $a(MiAaPQ)EBC1111662 035 $a(OCoLC)900294556 035 $a(EXLCZ)992670000000325274 100 $a20180331d2011 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aLabanotation $ethe system of analyzing and recording movement /$fAnn Hutchinson Guest ; illustrated by Doug Anderson 205 $a4th ed. 210 1$aNew York :$cRoutledge,$d2011. 215 $a1 online resource (500 pages) 300 $aDescription based upon print version of record. 311 $a0-415-65533-1 311 $a0-415-96561-6 327 $aCover; Labanotation; Title Page; Copyright Page; Table of Contents; ACKNOWLEDGMENTS; AUTHOR'S NOTE TO THE NEW EDITION; PREFACE BY STEPHANIE JORDAN; 1 A BRIEF HISTORY OF DANCE NOTATION; 2 INTRODUCTION TO LABANOTATION; 3 THE APPROACH TO MOVEMENT NOTATION; 4 FUNDAMENTALS OF LABANOTATION; 5 VARIATIONS IN STEPS; 6 POSITIONS OF THE FEET; 7 AERIAL STEPS (SPRINGING); 8 TURNS; 9 ARM GESTURES; 10 LEG GESTURES; 11 SPACE MEASUREMENT; FLEXION, EXTENSION; 12 FLOOR PATTERNS, PATHS; 13 TOUCH AND SLIDE FOR THE LEGS; 14 PARTS OF THE LIMBS; 15 PARTS OF THE TORSO; INCLUSIONS; 16 TILTING (INCLINING) 327 $a17 TURNING (ROTATION) OF THE LIMBS18 ROTATION OF THE TORSO AND HEAD; 19 SPECIFIC FLEXION AND EXTENSION; CONTRACTING, BENDING; 20 RELATIONSHIP; 21 REPEAT AND ANALOGY SIGNS; 22 SCORING; 23 SUPPORTING ON VARIOUS PARTS OF THE BODY; 24 EQUILIBRIUM, LOSS OF BALANCE; 25 SYSTEMS OF REFERENCE; 26 VARIATIONS IN POSITIONS, PATHS, AND STEPS; 27 SPECIFIC PARTS OF THE LIMBS; MOVEMENTS OF HANDS; MANNER OF PERFORMING GESTURES; 28 TYPES OF REVOLUTIONS; DYNAMICS; MISCELLANEOUS; APPENDICES; A ALTERNATE VERSIONS; B OLD VERSIONS; C ORTHOGRAPHY AND AUTOGRAPHY; D UPPER BODY MOVEMENT; E TERMINOLOGY 327 $aGLOSSARY OF SYMBOLSINDEX 330 $aA definitive book for students of dance and movement studies, Labanotation is now available in a fourth edition, the first complete revision of the text since 1977.Initiated by the movement genius Rudolf Laban, and refined through fifty years of work by teachers here and abroad, Labanotation, the first wholly successful system for recording human movement, is now having the effect on ballet and other forms of dance that the prefection of music notation in the Renaissance had on the development of music.This book makes it possible to record accurately, for study and re 517 3 $aKinetography Laban 606 $aLabanotation 606 $aLabanotation 606 $aLabanotation 606 $aMusic, Dance, Drama & Film$2HILCC 606 $aDance$2HILCC 615 4$aLabanotation. 615 4$aLabanotation. 615 0$aLabanotation 615 7$aMusic, Dance, Drama & Film 615 7$aDance 676 $a792.8/2 676 $a792.82 700 $aGuest$b Ann Hutchinson.$01563124 701 $aAnderson$b Doug$01563125 801 0$bAU-PeEL 801 1$bAU-PeEL 801 2$bAU-PeEL 906 $aBOOK 912 $a9910786187303321 996 $aLabanotation$93831314 997 $aUNINA