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101 0 $aeng
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181   $ctxt
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183   $acr
200 10$aSpaces of conflict, sounds of solidarity$b[electronic resource] $emusic, race, and spatial entitlement in Los Angeles /$fGaye Theresa Johnson
210   $aBerkeley $cUniversity of California Press$dc2013
215   $a1 online resource (263 p.)
225 0 $aAmerican crossroads
300   $aDescription based upon print version of record.
311   $a0-520-27527-6 
311   $a0-520-27528-4 
320   $aIncludes bibliographical references and index.
327   $tFront matter --$tContents --$tIntroduction: The Future Has a Past --$tChapter 1. Luisa Moreno, Charlotta Bass, and the Constellations of Interethnic Working-Class Radicalism --$tChapter 2. Spatial Entitlement --$tChapter 3. Cold Wars and Counter WAR(s): Coalitional Politics in an Age of Violence --$tChapter 4. "Teeth-Gritting Harmony": Punk, Hip-Hop, and Sonic Spatial Politics --$tChapter 5. Space, Sound, and Shared Struggles --$tConclusion: In This Great Future . . . --$tAcknowledgments --$tSelected Bibliography --$tIndex
330   $aIn Spaces of Conflict, Sounds of Solidarity, Gaye Theresa Johnson examines interracial anti-racist alliances, divisions among aggrieved minority communities, and the cultural expressions and spatial politics that emerge from the mutual struggles of Blacks and Chicanos in Los Angeles from the 1940's to the present. Johnson argues that struggles waged in response to institutional and social repression have created both moments and movements in which Blacks and Chicanos have unmasked power imbalances, sought recognition, and forged solidarities by embracing the strategies, cultures, and politics of each others' experiences. At the center of this study is the theory of spatial entitlement: the spatial strategies and vernaculars utilized by working class youth to resist the demarcations of race and class that emerged in the postwar era. In this important new book, Johnson reveals how racial alliances and antagonisms between Blacks and Chicanos in L.A. had spatial as well as racial dimensions.
410  0$aAmerican Crossroads
606   $aCommunity development$zCalifornia$zLos Angeles$xHistory
606   $aMinorities$xPolitical activity$zCalifornia$zLos Angeles$xHistory
606   $aMinorities$zCalifornia$zLos Angeles$xSocial conditions
606   $aPopular music$xSocial aspects$zCalifornia$zLos Angeles
607   $aLos Angeles (Calif.)$xRace relations$xHistory
607   $aLos Angeles (Calif.)$xSocial conditions
610   $a20th century.
610   $aafrican americans.
610   $aanti racist alliances.
610   $ablack americans.
610   $achicanos.
610   $acultural expressions.
610   $ahistorians.
610   $ainstitutional repression.
610   $ainterracial alliances.
610   $alos angeles.
610   $aminority communities.
610   $amusic and culture.
610   $amusic historians.
610   $amusic history.
610   $apostwar era.
610   $apower imbalances.
610   $arace and class issues.
610   $arace issues.
610   $aracial alliances.
610   $aregional music.
610   $asocial repression.
610   $aspatial entitlement.
610   $aspatial politics.
610   $aus history.
610   $aworking class.
615  0$aCommunity development$xHistory.
615  0$aMinorities$xPolitical activity$xHistory.
615  0$aMinorities$xSocial conditions.
615  0$aPopular music$xSocial aspects
676   $a979.4/94
700   $aJohnson$b Gaye Theresa$01563120
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910786186103321
996   $aSpaces of conflict, sounds of solidarity$93831302
997   $aUNINA