LEADER 00990nam--2200349---450- 001 990002048010203316 005 20050112151202.0 035 $a000204801 035 $aUSA01000204801 035 $a(ALEPH)000204801USA01 035 $a000204801 100 $a20041004d1964----km-y0itay0103----ba 101 0 $aita 102 $aIT 105 $a||||||||001yy 200 1 $a<> nuovo cinema francese$fMorando Morandini 210 $aFirenze$cMarchi$d1964 215 $a94 p.$d22 cm 225 2 $aContemporanea$v3 410 0$12001$aContemporanea$v3 454 1$12001 461 1$1001-------$12001 700 1$aMORANDINI,$bMorando$f<1924-2015>$0222943 801 0$aIT$bsalbc$gISBD 912 $a990002048010203316 951 $aXIII.2. 31(Varie Coll. 92/3)$b66636 L.M.$cVarie COll. 959 $aBK 969 $aUMA 979 $aSIAVPROV$b10$c20041004$lUSA01$h1348 979 $aCOPAT2$b90$c20050112$lUSA01$h1512 996 $aNuovo cinema francese$91742130 997 $aUNISA LEADER 03670nam 2200745 a 450 001 9910786122803321 005 20230420004620.0 010 $a1-4529-4842-9 010 $a0-8166-8276-3 035 $a(CKB)2670000000340200 035 $a(EBL)1158060 035 $a(OCoLC)833767364 035 $a(SSID)ssj0000856874 035 $a(PQKBManifestationID)12305927 035 $a(PQKBTitleCode)TC0000856874 035 $a(PQKBWorkID)10818049 035 $a(PQKB)11260532 035 $a(StDuBDS)EDZ0001177470 035 $a(MiAaPQ)EBC1158060 035 $a(MdBmJHUP)muse29986 035 $a(Au-PeEL)EBL1158060 035 $a(CaPaEBR)ebr10677253 035 $a(CaONFJC)MIL526211 035 $a(EXLCZ)992670000000340200 100 $a20120618d2012 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aTrans-Indigenous$b[electronic resource] $emethodologies for global native literary studies /$fChadwick Allen 210 $aMinneapolis $cUniversity of Minnesota Press$dc2012 215 $a1 online resource (337 p.) 225 1 $aIndigenous Americas 300 $aDescription based upon print version of record. 311 $a0-8166-7818-9 320 $aIncludes bibliographical references and index. 327 $aIntroduction: ands turn comparative turn trans- -- Recovery/interpretation. "Being" indigenous "now": resettling "the Indian today" within and beyond the U.S. 1960s -- Unsettling the Spirit of '76: American Indians anticipate the U.S. Bicentennial -- Interpretation/recovery. Pictographic, woven, carved: engaging N. Scott Momaday's "Carnegie, Oklahoma, 1919" through multiple indigenous aesthetics -- Indigenous languaging: empathy and translation across alphabetic, aural, and visual texts -- Siting earthworks, navigating waka: patterns of indigenous settlement in Allison Hedge Coke's Blood run and Robert Sullivan's Star waka. 330 $aWhat might be gained from reading Native literatures from global rather than exclusively local perspectives of Indigenous struggle? In Trans-Indigenous, Chadwick Allen proposes methodologies for a global Native literary studies based on focused comparisons of diverse texts, contexts, and traditions in order to foreground the richness of Indigenous self-representation and the complexity of Indigenous agency. Through demonstrations of distinct forms of juxtaposition-across historical periods and geographical borders, across tribes and nations, across the Indigenous-settler... 410 0$aIndigenous Americas. 606 $aAmerican literature$xIndian authors$xHistory and criticism 606 $aIndians in literature 606 $aIndian aesthetics 606 $aIndians, Treatment of$zUnited States$xHistory 606 $aNew Zealand literature$xMa?ori authors$xHistory and criticism 606 $aMa?ori (New Zealand people) in literature 606 $aIndigenous peoples 606 $aGroup identity in literature 615 0$aAmerican literature$xIndian authors$xHistory and criticism. 615 0$aIndians in literature. 615 0$aIndian aesthetics. 615 0$aIndians, Treatment of$xHistory. 615 0$aNew Zealand literature$xMa?ori authors$xHistory and criticism. 615 0$aMa?ori (New Zealand people) in literature. 615 0$aIndigenous peoples. 615 0$aGroup identity in literature. 676 $a810.9/897 700 $aAllen$b Chadwick$01559897 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910786122803321 996 $aTrans-Indigenous$93825454 997 $aUNINA