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Rodner ; with a foreword by Sir Hugh Cortazzi 210 $aLeiden ;$aBoston $cBrill$d2012 215 $a1 online resource (235 p.) 225 1 $aJapanese visual culture ;$vv. 4 300 $aDescription based upon print version of record. 311 $a90-04-22039-9 320 $aIncludes bibliographical references and index. 327 $tPreliminary Material /$rRodner William S. -- $tIntroduction /$rRodner William S. -- $t1: Japan in Britain /$rRodner William S. -- $t2: ?Heiji of London Fog? /$rRodner William S. -- $t3: ?Between Two Stools? /$rRodner William S. -- $t4: ?A Mirror of Unknown Genre? /$rRodner William S. -- $t5: My Idealed John Bullesses /$rRodner William S. -- $t6: Making a Career /$rRodner William S. -- $t7: The Chelsea Conservative /$rRodner William S. -- $tEndnotes /$rRodner William S. -- $tYoshio Markino:Chronology of His Life and Work /$rRodner William S. -- $tBibliography /$rRodner William S. -- $tIndex /$rRodner William S.. 330 $aEdwardian London Through Japanese Eyes considers the career of the Japanese artist Yoshio Markino (1869-1956), a prominent figure on the early twentieth-century London art scene whose popular illustrations of British life adroitly blended stylistic elements of East and West. He established his reputation with watercolors for the avant-garde Studio magazine and attained success with The Colour of London (1907), the book that offered, in word and picture, his outsider?s response to the modern Edwardian metropolis. Three years later he recounted his British experiences in an admired autobiography aptly titled A Japanese Artist in London . Here, and in later publications, Markino offered a distinctively Japanese perspective on European life that won him recognition and fame in a Britain that was actively engaging with pro-Western Meiji Japan. Based on a wide range of unpublished manuscripts and Edwardian commentary, this lavishly illustrated book provides a close examination of over 150 examples of his art as well analysis of his writings in English that covered topics as wide-ranging as the English and Japanese theater, women?s suffrage, current events in the Far East and observations on traditional Asian art as well as Western Post-Impressionism. 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