LEADER 03974oam 2200565I 450 001 9910786103403321 005 20230725035503.0 010 $a1-84888-057-X 024 7 $a10.1163/9781848880573 035 $a(CKB)2670000000350178 035 $a(EBL)3316254 035 $a(SSID)ssj0001358778 035 $a(PQKBManifestationID)11899584 035 $a(PQKBTitleCode)TC0001358778 035 $a(PQKBWorkID)11283154 035 $a(PQKB)11420392 035 $a(MiAaPQ)EBC3316254 035 $a(OCoLC)891397103 035 $a(nllekb)BRILL9781848880573 035 $a(EXLCZ)992670000000350178 100 $a20191130d2011 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aCan I Play with Madness? Metal, Dissonance, Madness and Alienation /$fEdited by Colin McKinnon; Niall Scott; Kristen Sollee 205 $aFirst edition. 210 1$aLeiden; $aBoston :$cBRILL,$d2011. 215 $a1 online resource (208 p.) 225 0 $aCritical Issues 300 $a"This eBook gathers together contributions presented at the 3rd Global Conference on Heavy Fundametalisms: Music, Metal and Politics, held in Prague in November 2010." 311 $a90-04-40358-2 320 $aIncludes bibliographical references at the end of each chapters. 327 $a""Front Cover""; ""Inside Cover""; ""Advisory Board""; ""ISBN""; ""Table of Contents""; ""Introduction""; ""PART 1: Analysing Insanity""; ""Goethe vs. Rammstein: Who is Allowed to Play with Madness? The Influence of Musical Taste on Prejudice against Heavy Metal Lyrics""; ""Death and Life: The Role of Music and the Others""; ""Textual Analysis of Song Lyrics Adopting a Mental Health Diagnostic Standard as Method""; ""PART 2: Disparate Disciplines: Theoretical Applications of Madness in Heavy Metal""; ""Two Steps past Insanity: The Expression of Aggression in Death Metal Music"" 327 $a""Can Progressive Metal's Narrative Inform Social Stigma Theory? Pain of Salvation's The Perfect Element """"Hysteric Desire: Sexual Positions, Sonic Subjectivity and Gender Play in Glam Metal""; ""PART 3: More Madness in the Metal Method: A Spectrum Disorder of Theoretical and Applied Research Approaches""; ""No Method in the Madness? The Problem""; ""Qualtitative Research in Understanding the Metal Community""; ""Heavy Metal, Identity Work and Social Transitions: Implicaitons for Young People's Well Being in the Australian Context"" 327 $a""PART 4: Ripping it Up: Metal as a Symptom of a Civilised and Aggressive Disorder""""Heavy Metal Rituals and the Civilising Process""; ""Cycles of Metal and Cycles of Male Aggression: Ageing and the Changing Aggressive Impulse""; ""Metal Disorder, Metal Disturbance""; ""PART 5: Challenging Perceptions on Metal and Suicide""; ""War Inside My Head: Metal, Mental Illness and Psychic Energy""; ""Suicide, Metal Music and Expectancy Theory""; ""Emo Saved My Life: Challenging the Mainstream Discourse of Mental Illness around My Chemical Romance"" 327 $a""Does Death and Suicide Sound Like the Music You Hear?""""PART 6: Positively Mad: Black Metal Health and the Construction of Identity""; ""Playing with Madness in the Forest of Shadows: Dissonance, Deviance and Non-Conformity in the Black Metal Scene""; ""Lord Satan's Secret Rites and Satanism as Self-Therapy: The Creation of a Masculinity Gender Identity within Black Metal""; ""'A Furore Normannorum, Libera Nos Domine!' A Short History of Going Berserk in Scandanavian Literature and Heavy Metal"" 606 $aHeavy metal (Music)$vCongresses 615 0$aHeavy metal (Music) 676 $a784 702 $aMcKinnon$b Colin 702 $aScott$b Niall 702 $aSollee$b Kristen 801 0$bNL-LeKB 801 1$bNL-LeKB 906 $aBOOK 912 $a9910786103403321 996 $aCan I Play with Madness? Metal, Dissonance, Madness and Alienation$93727821 997 $aUNINA