LEADER 04462oam 2200709I 450 001 9910786097403321 005 20230808211309.0 010 $a1-315-43023-1 010 $a1-315-43024-X 010 $a1-315-43025-8 010 $a1-61132-203-0 024 7 $a10.4324/9781315430256 035 $a(CKB)2670000000316665 035 $a(EBL)1106829 035 $a(OCoLC)823721309 035 $a(SSID)ssj0000803532 035 $a(PQKBManifestationID)11488885 035 $a(PQKBTitleCode)TC0000803532 035 $a(PQKBWorkID)10811499 035 $a(PQKB)11278125 035 $a(MiAaPQ)EBC1106829 035 $a(Au-PeEL)EBL1106829 035 $a(CaPaEBR)ebr10643047 035 $a(CaONFJC)MIL932605 035 $a(OCoLC)954006797 035 $a(EXLCZ)992670000000316665 100 $a20180706e20162012 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aDocumentary filmmaking for archaeologists /$fPeter Pepe and Joseph W. Zarzynski 210 1$aLondon ;$aNew York :$cRoutledge,$d2016. 215 $a1 online resource (231 p.) 300 $aFirst published 2012 by Left Coast Press, Inc. 311 $a1-61132-201-4 311 $a1-61132-202-2 320 $aIncludes bibliographical references and index. 327 $aContents; Illustrations; Acknowledgments; Introduction; Chapter 1: Forming the Archaeologist/Documentary Filmmaker Team; Chapter 2: A Brief History of the Documentary Film Genre; Chapter 3: The Introduction of Home Video, Television, and Documentary Film making; Chapter 4: Production Equipment and Screen and Standards Formats; Chapter 5: The Popularity of Documentaries; Chapter 6: The Stages of Documentary Film Production; Chapter 7: Considering Making a Documentary-Your Idea and Title; Chapter 8: Pitching a Proposal and Writing a Treatment 327 $aChapter 9: Developing a Budget and Securing a Contract Chapter 10: Shaping Your Archaeological Documentary; Chapter 11: From Outline to First Script; Chapter 12: Pre-production-Production Costs, Funding, Assembling the Crew, Compiling the Shot List, and On and On; Chapter 13: The Art of the Interview and B-roll; Chapter 14: Work Following the Interviews and B-roll; Chapter 15: Choosing the Narrator and Other Voice Talent; Chapter 16: Shot Making; Chapter 17: Shooting Reenactments for Your Documentary 327 $aChapter 18: Using Still Photography, Historic Film Footage, Illustrations, Maps, Historic Newspapers, and Animation Chapter 19: Post production and Editing; Chapter 20: Thoughts on the Beginning and the End of Your Documentary Film; Chapter 21: The Digital Revolution and Its Role in Documentary Film making; Chapter 22: Television, Theatrical Release, Finding a Distributor, Self-Distribution, and Other Outlets; Chapter 23: Promoting Your Documentary; Chapter 24: Documentaries in Miniature; Chapter 25: Creating Your Trailer; Chapter 26: Conclusion; Appendix 1: Sample Documentary Proposal 327 $aAppendix 2: Documentary Treatment Appendix 3: The Lost Radeau Video Script; Appendix 4: Simplified Sample Budget Outline; Glossary; References; Index; About the Authors 330 $aDocumentary film maker Peter Pepe and historical archaeologist Joseph W. Zarzynski provide a concise guide to film making designed to help archaeologists navigate the unfamiliar world of documentary film. They offer a step-by-step description of the process of making a documentary, everything from initial pitches to production companies to final cuts in the editing. Using examples from their own award-winning documentaries, they focus on the needs of the archaeologist: Where do you fit in the project? What is expected of you? How can you help your documentarian partner? The authors provide 606 $aMotion pictures in archaeology 606 $aArchaeology$xMethodology 606 $aDocumentary films$xProduction and direction 615 0$aMotion pictures in archaeology. 615 0$aArchaeology$xMethodology. 615 0$aDocumentary films$xProduction and direction. 676 $a070.1 676 $a070.1/8 676 $a070.18 700 $aPepe$b Peter$f1952-,$01548393 701 $aZarzynski$b Joseph W$01548394 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910786097403321 996 $aDocumentary filmmaking for archaeologists$93805381 997 $aUNINA