LEADER 02347nam 2200469Ia 450 001 9910786072203321 005 20230607231307.0 010 $a1-299-44194-7 010 $a0-19-159377-X 010 $a0-19-150425-4 035 $a(CKB)2670000000315430 035 $a(EBL)1107710 035 $a(OCoLC)823719803 035 $a(MiAaPQ)EBC1107710 035 $a(Au-PeEL)EBL1107710 035 $a(CaPaEBR)ebr10681969 035 $a(CaONFJC)MIL475444 035 $a(EXLCZ)992670000000315430 100 $a20010509d2001 uy 0 101 0 $aeng 135 $aur|n|---||||| 200 10$aBut is it art?$b[electronic resource] $ean introduction to art theory /$fCynthia Freeland 210 $aOxford ;$aNew York $cOxford University Press$d2001 215 $a1 online resource (254 p.) 300 $aDescription based upon print version of record. 311 $a0-19-285367-8 320 $aIncludes bibliographical references (p. 210-221) and index. 327 $aCover; Contents; Colour plates; Black and white illustrations; Introduction; 1 Blood and beauty; 2 Paradigms and purposes; 3 Cultural crossings; 4 Money, markets, museums; 5 Gender, genius, and Guerrilla Girls; 6 Cognition, creation, comprehension; 7 Digitizing and disseminating; Conclusion; References; Further reading; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; V; W; Z 330 $aIn today's art world many strange, even shocking, things qualify as art. In this book, Cynthia Freeland explains why innovation and controversy are valued in the arts, weaving together philosophy and art theory with many fascinating examples. She discusses blood, beauty, culture, money, museums, sex, and politics, clarifying contemporary and historical accounts of the nature, function, and interpretation of the arts. Freeland also propels us into the future by surveying cutting-edge web sites, along with the latest research on the brain's role in perceiving art. This clear, provocative book en 606 $aAesthetics 606 $aArt$xPhilosophy 615 0$aAesthetics. 615 0$aArt$xPhilosophy. 676 $a700/.1 700 $aFreeland$b Cynthia A$0327177 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910786072203321 996 $aBut is it art$93795988 997 $aUNINA