LEADER 03987oam 2200697I 450 001 9910786048603321 005 20230803025125.0 010 $a1-136-15528-7 010 $a1-283-97325-1 010 $a0-203-07851-9 010 $a1-136-15656-9 024 7 $a10.4324/9780203078518 035 $a(CKB)2670000000325622 035 $a(EBL)1114716 035 $a(OCoLC)827208892 035 $a(SSID)ssj0000822181 035 $a(PQKBManifestationID)12308609 035 $a(PQKBTitleCode)TC0000822181 035 $a(PQKBWorkID)10755748 035 $a(PQKB)11138979 035 $a(MiAaPQ)EBC1114716 035 $a(Au-PeEL)EBL1114716 035 $a(CaPaEBR)ebr10650230 035 $a(CaONFJC)MIL428575 035 $a(OCoLC)826685151 035 $a(FINmELB)ELB133199 035 $a(EXLCZ)992670000000325622 100 $a20180706d2013 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aLiveness in modern music $emusicians, technology, and the perception of performance /$fPaul Sanden 205 $a1st ed. 210 1$aNew York :$cRoutledge,$d2013. 215 $a1 online resource (221 p.) 225 1 $aRoutledge research in music 225 0$aRoutledge research in music ;$v5 300 $aDescription based upon print version of record. 311 $a1-138-10797-2 311 $a0-415-89540-5 320 $aIncludes bibliographical references and index. 327 $aA theory of liveness in mediatized music -- Hearing Glenn Gould's body : corporeal liveness in recorded music -- Reconsidering fidelity : authenticity, historicism, and liveness in the music of the White Stripes -- Interactive liveness in live electronic music -- Virtual liveness and sounding cyborgs : John Oswald's "Vane" -- Performing cyborgs : the flaying of Marsyas and turntablism. 330 $aThis study investigates the idea and practice of liveness in modern music. Understanding what makes music live in an ever-changing musical and technological terrain is one of the more complex and timely challenges facing scholars of current music, where liveness is typically understood to represent performance and to stand in opposition to recording, amplification, and other methods of electronically mediating music. The book argues that liveness itself emerges from dynamic tensions inherent in mediated musical contexts--tensions between music as an acoustic human utterance, and musical sound as something produced or altered by machines. Sanden analyzes liveness in mediatized music (music for which electronic mediation plays an intrinsically defining role), exploring the role this concept plays in defining musical meaning. In discussions of music from both popular and classical traditions, Sanden demonstrates how liveness is performed by acts of human expression in productive tension with the electronic machines involved in making this music, whether on stage or on recording. Liveness is not a fixed ontological state that exists in the absence of electronic mediation, but rather a dynamically performed assertion of human presence within a technological network of communication. This book provides new insights into how the ideas of performance and liveness continue to permeate the perception and reception of even highly mediatized music within a society so deeply invested, on every level, with the use of electronic technologies. 410 0$aRoutledge Research in Music 606 $aMusic$xPerformance$xHistory 606 $aMusical perception 606 $aMusic$xPsychological aspects 615 0$aMusic$xPerformance$xHistory. 615 0$aMusical perception. 615 0$aMusic$xPsychological aspects. 676 $a781.1/1 700 $aSanden$b Paul.$01479318 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910786048603321 996 $aLiveness in modern music$93695378 997 $aUNINA