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101 0 $aeng
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181   $ctxt
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183   $acr
200 14$aThe melancholy art$b[electronic resource] /$fMichael Ann Holly
205   $aCourse Book
210   $aPrinceton, New Jersey $cPrinceton University Press$d2013
215   $a1 online resource (225 p.)
225 0 $aEssays in the arts
300   $aDescription based upon print version of record.
311 0 $a0-691-13934-2 
320   $aIncludes bibliographical references and index.
327   $tFront matter --$tContents --$tPreface --$tAcknowledgments --$t1. The Melancholy Art --$t2. Viennese Ghosts --$t3. Stones of Solace --$t4. Patterns in the Shadows --$t5. Mourning and Method --$tPostscript --$tNotes --$tBibliography --$tIndex
330   $aMelancholy is not only about sadness, despair, and loss. As Renaissance artists and philosophers acknowledged long ago, it can engender a certain kind of creativity born from a deep awareness of the mutability of life and the inevitable cycle of birth and death. Drawing on psychoanalysis, philosophy, and the intellectual history of the history of art, The Melancholy Art explores the unique connections between melancholy and the art historian's craft. Though the objects art historians study are materially present in our world, the worlds from which they come are forever lost to time. In this eloquent and inspiring book, Michael Ann Holly traces how this disjunction courses through the history of art and shows how it can give rise to melancholic sentiments in historians who write about art. She confronts pivotal and vexing questions in her discipline: Why do art historians write in the first place? What kinds of psychic exchanges occur between art objects and those who write about them? What institutional and personal needs does art history serve? What is lost in historical writing about art? The Melancholy Art looks at how melancholy suffuses the work of some of the twentieth century's most powerful and poetic writers on the history of art, including Alois Riegl, Franz Wickhoff, Adrian Stokes, Michael Baxandall, Meyer Schapiro, and Jacques Derrida. A disarmingly personal meditation by one of our most distinguished art historians, this book explains why to write about art is to share in a kind of intertwined pleasure and loss that is the very essence of melancholy. Some images inside the book are unavailable due to digital copyright restrictions.
410  0$aEssays in the Arts
606   $aArt$xHistoriography
606   $aMelancholy
610   $aAby Warburg.
610   $aAestheticism.
610   $aAesthetics.
610   $aAllegory.
610   $aAlois Riegl.
610   $aAnachronism.
610   $aAnalytic confidence.
610   $aAncient art.
610   $aAphorism.
610   $aArt criticism.
610   $aArt history.
610   $aArthur Schopenhauer.
610   $aArtistic merit.
610   $aBen Nicholson.
610   $aBernard Berenson.
610   $aBernard Bosanquet (philosopher).
610   $aBeyond the Pleasure Principle.
610   $aCaspar David Friedrich.
610   $aChristopher Bollas.
610   $aClassicism.
610   $aConnoisseur.
610   $aConsciousness.
610   $aContemporary art.
610   $aCriticism.
610   $aCritique of Judgment.
610   $aDeath drive.
610   $aDeconstruction.
610   $aErnst Gombrich.
610   $aErwin Panofsky.
610   $aExplanation.
610   $aFra Angelico.
610   $aFriedrich Nietzsche.
610   $aFritz Saxl.
610   $aGarry Wills.
610   $aGeorg Wilhelm Friedrich Hegel.
610   $aGeorge Steiner.
610   $aGiovanni Morelli.
610   $aHannah Arendt.
610   $aHans Ulrich Gumbrecht.
610   $aHayden White.
610   $aIconography.
610   $aIllusionism (art).
610   $aIsabella Stewart Gardner Museum.
610   $aJacques Derrida.
610   $aJacques Lacan.
610   $aJacques-Alain Miller.
610   $aJames Strachey.
610   $aJan van Eyck.
610   $aJohann Joachim Winckelmann.
610   $aJosef Strzygowski.
610   $aJulia Kristeva.
610   $aLinguistic turn.
610   $aLiterary theory.
610   $aMarion Milner.
610   $aMarsilio Ficino.
610   $aMartin Heidegger.
610   $aMaurice Blanchot.
610   $aMelanie Klein.
610   $aMetahistory.
610   $aMetonymy.
610   $aMeyer Schapiro.
610   $aMichael Baxandall.
610   $aMinima Moralia.
610   $aModernism.
610   $aModernity.
610   $aMuseum.
610   $aOceanic feeling.
610   $aOskar Kokoschka.
610   $aOverpainting.
610   $aPaul de Man.
610   $aPetrarch.
610   $aPhilosopher.
610   $aPhilosophy.
610   $aPositivism.
610   $aPost-structuralism.
610   $aPostmodernism.
610   $aPsychoanalysis.
610   $aPutto.
610   $aRainer Maria Rilke.
610   $aRenaissance art.
610   $aRhetoric.
610   $aRichard Wollheim.
610   $aRomanticism.
610   $aSaint Francis Receiving the Stigmata (van Eyck).
610   $aSandro Botticelli.
610   $aSimone Martini.
610   $aSvetlana Alpers.
610   $aThe Art of Memory.
610   $aThe Gaze of Orpheus.
610   $aThe Origin of German Tragic Drama.
610   $aThe Philosopher.
610   $aTheses on the Philosophy of History.
610   $aThought.
610   $aTintoretto.
610   $aUnthought known.
610   $aW. G. Sebald.
610   $aWalter Benjamin.
610   $aWalter Pater.
610   $aWork of art.
610   $aWriting.
615  0$aArt$xHistoriography.
615  0$aMelancholy.
676   $a707.2/2
686   $aEC 2440$2rvk
700   $aHolly$b Michael Ann$0516984
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801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910786008203321
996   $aThe melancholy art$93715232
997   $aUNINA