LEADER 06169nam 22009133u 450 001 9910785948403321 005 20230126205843.0 010 $a1-283-70614-8 010 $a1-4411-0261-2 035 $a(CKB)2670000000270986 035 $a(EBL)1050477 035 $a(OCoLC)818117736 035 $a(SSID)ssj0000832133 035 $a(PQKBManifestationID)12282314 035 $a(PQKBTitleCode)TC0000832133 035 $a(PQKBWorkID)10881273 035 $a(PQKB)11687793 035 $a(MiAaPQ)EBC1050477 035 $a(EXLCZ)992670000000270986 100 $a20130418d2012|||| u|| | 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aCircus as Multimodal Discourse$b[electronic resource] $ePerformance, Meaning, and Ritual 210 $aLondon $cBloomsbury Publishing$d2012 215 $a1 online resource (225 p.) 300 $aDescription based upon print version of record. 311 $a1-4725-6947-4 311 $a1-4411-2563-9 327 $aCover; HalfTitle; Series; Title; Copyright; Dedication; Contents; Introduction: Playing with Fire; 1 Circus Performances as Rituals: Participative Ethnography; Circus online; Circus in the field; The spectator as ethnographer; Circus as ritual; 2 The "Textility" of Circus Acts: Disentangling Cognition and Pleasure; Writing circus: From performance to text; Events and their verbal accounts; Scripts, skills, and algorithms: The birth of a circus act; Description and explanation; Disentangling meanings, emotions, and pleasure: Textility and cognitive malleability; 3 Magic in the Ring 327 $aVeils of illusionBelief and disbelief; The mechanisms of miracles and the logic of illusions; A double-edged skill; 4 Horses which Speak, Count, and Laugh; The cultured horse; An equine performance on record; A multimodal dialogic discourse; Themes and variations: A cowboy and his horse; Pragmatics of the "educated" horse act: A biosemiotic perspective; 5 Steeds and Symbols: Multimodal Metaphors; Circus horses: From the steppe to the ring; A semiotic perspective: Making sense of things; The social contract and the birth of the arts; Once upon a time: A play of nature and culture 327 $aThe ascent of the horseTextualizing the horse; Equestrians as cultural heroes; 6 The Staging of Actions: Heroes, Antiheroes, and Animal Actors; A theory of action; The modalities of actions: From doing to making another do; Ironical discourse: A dog act in the semiotic square; 7 Circus Animals as Symbols, Actors, and Persons; In the company of animals; The representation of animals in cultures; Animal agencies: Legal and moral issues; A cultural paradigm shift : Animals as nonhuman persons; 8 Dancing with Tigers, Lying with Lions: Translating Biology into Art; Tigers in the wild 327 $aThe fifth dimension of spaceFrom biology to art; The poetics and rhetoric of the cage act; The lion's anger; A master at work; A work of art; 9 Clowns at Work: A Sociocritical Discourse; Clowns unmasked; Clowns at work; Syntax and semantics of chaos: Herbert Marcuse at the circus; Power of the mask; What is a gag and how it works: A conversation; 10 The Imaginary Circus; Romancing the circus; The circus as a phantasm; The ascent of the clown; Circus mystics: The juggler and the funambulist; 11 Ideology and Politics in the Circus Ring; Poetics and politics of the body 327 $aErotic circus: The tame and the wildIdeology, politics, and propaganda; The body politic in performance; 12 The Postanimal Circus; A cultural revolution: The animal liberation movement; The new circus: Human, humane, and humanitarian; Circus and subversion: From anticircus to counterculture and activism; The return of the animal?; Conclusion: Pleasures of the Circus: Attraction, Emotion, and Addiction; Truth and deception; The logic of attraction; Information, fear, and empathy; Games, rewards, and addiction; Performance, ritual, and meaning; Bibliography; Index 330 $aThis volume presents a theory of the circus as a secular ritual and introduces a method to analyze its performances as multimodal discourse. The book's fifteen chapters cover the range of circus specialties (magic, domestic and wild animal training, acrobatics, and clowning) and provide examples to show how cultural meaning is produced, extended and amplified by circus performances. Bouissac is one of the world's leading authorities on circus ethnography and semiotics and this work is grounded on research conducted over a 50 year span in Europe, Asia, Australia and the Americas. It concludes w 606 $aCircus -- Social aspects 606 $aDiscourse analysis -- Social aspects 606 $aModality (Linguistics) 606 $aMultimedia communications 606 $aPerforming arts -- Semiotics 606 $aSemiotics 606 $aVisual communication 606 $aCircus$xSocial aspects 606 $aPerforming arts$xSemiotics 606 $aDiscourse analysis$xSocial aspects 606 $aVisual communication 606 $aMultimedia communications 606 $aModality (Linguistics) 606 $aSemiotics 606 $aSocial Sciences$2HILCC 606 $aRecreation & Sports$2HILCC 615 4$aCircus -- Social aspects. 615 4$aDiscourse analysis -- Social aspects. 615 4$aModality (Linguistics). 615 4$aMultimedia communications. 615 4$aPerforming arts -- Semiotics. 615 4$aSemiotics. 615 4$aVisual communication. 615 0$aCircus$xSocial aspects 615 0$aPerforming arts$xSemiotics 615 0$aDiscourse analysis$xSocial aspects 615 0$aVisual communication 615 0$aMultimedia communications 615 0$aModality (Linguistics) 615 0$aSemiotics 615 7$aSocial Sciences 615 7$aRecreation & Sports 676 $a791.3 676 $a791.3014 700 $aBouissac$b Paul$0165102 801 0$bAU-PeEL 801 1$bAU-PeEL 801 2$bAU-PeEL 906 $aBOOK 912 $a9910785948403321 996 $aCircus as Multimodal Discourse$93675730 997 $aUNINA