LEADER 01115cam--2200349---450 001 990001915770203316 005 20200512212551.0 035 $a000191577 035 $aUSA01000191577 035 $a(ALEPH)000191577USA01 035 $a000191577 100 $a20040806d1965----km-y0itay5003----ba 101 0 $aita 102 $aIT 105 $aaf||||||001yy 200 1 $aRime$fSimone Serdini$gedizione critica a cura di Emilio Pasquini 210 $aRoma$cCommissione per i testi di lingua$d1965 215 $aCDLIX, 366 p., 1 carta di tav, ripiegata$cill.$d23 cm 225 2 $aCollezione di opere inedite o rare$v127 410 0$12001$aCollezione di opere inedite o rare$v127 676 $a851.2 700 1$aSERDINI,$bSimone$0152381 702 1$aPASQUINI,$bEmilio$f<1935-2020> 801 0$aIT$bsalbc$gISBD 912 $a990001915770203316 951 $aVI.3. Coll. 14/ 130(V A Coll. 56/127)$b56509 L.M.$cVI.3. Coll.$d00044796 959 $aBK 969 $aUMA 979 $aSIAV5$b10$c20040806$lUSA01$h1845 979 $aCOPAT2$b90$c20060113$lUSA01$h1349 996 $aRime$9132978 997 $aUNISA LEADER 02544nam 2200589Ia 450 001 9910785900603321 005 20200520144314.0 010 $a1-283-60908-8 010 $a9786613921536 010 $a0-252-09219-8 035 $a(CKB)2670000000242459 035 $a(EBL)3414127 035 $a(SSID)ssj0000711850 035 $a(PQKBManifestationID)11432364 035 $a(PQKBTitleCode)TC0000711850 035 $a(PQKBWorkID)10694473 035 $a(PQKB)10979727 035 $a(MiAaPQ)EBC3414127 035 $a(OCoLC)817813568$z(OCoLC)811760817$z(OCoLC)815477962$z(OCoLC)923496101$z(OCoLC)961580953$z(OCoLC)962659349$z(OCoLC)975777877$z(OCoLC)1018075160$z(OCoLC)1044636417$z(OCoLC)1045381084$z(OCoLC)1103539285$z(OCoLC)1119081030 035 $a(OCoLC)ocn817813568 035 $a(MdBmJHUP)muse23848 035 $a(Au-PeEL)EBL3414127 035 $a(CaPaEBR)ebr10603922 035 $a(CaONFJC)MIL392153 035 $a(OCoLC)923496101 035 $a(EXLCZ)992670000000242459 100 $a20051004d2006 ub 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 12$aA staggering revolution$b[electronic resource] $ea cultural history of thirties photography /$fJohn Raeburn 210 $aChicago $cUniversity of Illinois Press$dc2006 215 $a1 online resource (419 p.) 300 $aDescription based upon print version of record. 311 $a0-252-07322-3 311 $a0-252-03084-2 320 $aIncludes bibliographical references and index. 327 $aThe rebirth of photography in the thirties -- Disestablishing Stieglitz -- Group f.64 and the problem of California photography -- An eastern beachhead -- Edward Steichen and celebrity photography -- MoMA's big top show -- Camera periodicals and the popular audience -- Culture morphology in Berenice Abbott's New York -- Farm Security Administration photography and the dilemmas of art -- Farm Security Administration photography in the aura of art -- The nation's newsstands -- The photo league, Lewis Hine, and the Harlem document -- Seeing California with Edward Weston -- Photography at high tide. 606 $aPhotography, Artistic 607 $aUnited States$vPictorial works 615 0$aPhotography, Artistic. 676 $a770.97309043 700 $aRaeburn$b John$01500238 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910785900603321 996 $aA staggering revolution$93726817 997 $aUNINA