LEADER 02432nam 2200565Ia 450 001 9910785882603321 005 20230801224416.0 010 $a1-60938-137-8 035 $a(CKB)2670000000246029 035 $a(EBL)1016485 035 $a(OCoLC)811206310 035 $a(SSID)ssj0000713526 035 $a(PQKBManifestationID)11956015 035 $a(PQKBTitleCode)TC0000713526 035 $a(PQKBWorkID)10658980 035 $a(PQKB)10293333 035 $a(MiAaPQ)EBC1016485 035 $a(MdBmJHUP)muse18867 035 $a(Au-PeEL)EBL1016485 035 $a(CaPaEBR)ebr10597141 035 $a(EXLCZ)992670000000246029 100 $a20120305d2012 ub 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aRedstart$b[electronic resource] $ean ecological poetics /$fForrest Gander and John Kinsella 210 $aIowa City $cUniversity of Iowa Press$d2012 215 $a1 online resource (97 p.) 225 0 $aContemporary North American poetry series 300 $aDescription based upon print version of record. 311 $a1-60938-119-X 327 $aContents; Prefatory Note; The Future of the Past; The Carboniferous and Ecopoetics; Codex for a Protest; A Note on Ecopoetics; Redstart; The Movements of Yellow-Rumped Thornbills; A Note on the Collaborative Process; Acknowledgments 330 $aThe damage humans have perpetrated on our environment has certainly affected a poet's means and material. But can poetry be ecological? Can it display or be invested with values that acknowledge the economy of interrelationship between the human and the nonhuman realms? Aside from issues of theme and reference, how might syntax, line break, or the shape of the poem on the page express an ecological ethics? To answer these questions, poets Forrest Gander and John Kinsella offer an experiment, a collaborative volume of prose and poetry that investigates-both thema 410 0$aContemp North American Poetry 606 $aAmerican poetry 606 $aAmerican literature 615 0$aAmerican poetry. 615 0$aAmerican literature. 676 $a811/.54 700 $aGander$b Forrest$f1956-$0869898 701 $aKinsella$b John$f1963-$01469155 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910785882603321 996 $aRedstart$93680580 997 $aUNINA