LEADER 01145nam--2200385---450- 001 990006085770203316 005 20151013154519.0 010 $a978-88-581-1964-8 035 $a000608577 035 $aUSA01000608577 035 $a(ALEPH)000608577USA01 035 $a000608577 100 $a20151013d2015----km-y0itay50------ba 101 $aita 102 $aIT 105 $a||||||||001yy 200 1 $a<> montagna dentro$fHervé Barmasse 210 $aRoma$aBari$cLaterza$d2015 215 $a224 p., [8] carte di tav.$cill.$d21 cm 225 2 $a<> Robinson$iletture 410 0$a<> Robinson$iletture 606 0 $aAscensioni alpinistiche$xMemorie$2BNCF 676 $a796.5223092 700 1$aBARMASSE,$bHervé$0714858 801 0$aIT$bsalbc$gISBD 912 $a990006085770203316 951 $aII.5. 8067$b250211 L.M.$cII.5.$d379089 959 $aBK 969 $aUMA 979 $aCHIARA$b90$c20151013$lUSA01$h1528 979 $aCHIARA$b90$c20151013$lUSA01$h1528 979 $aCHIARA$b90$c20151013$lUSA01$h1530 979 $aCHIARA$b90$c20151013$lUSA01$h1545 996 $aMontagna dentro$91382526 997 $aUNISA LEADER 03559nam 2200709Ia 450 001 9910785853503321 005 20230801224358.0 010 $a1-283-54074-6 010 $a9786613853196 010 $a1-61168-301-7 035 $a(CKB)2670000000246586 035 $a(EBL)1085107 035 $a(OCoLC)808670081 035 $a(SSID)ssj0000744552 035 $a(PQKBManifestationID)11378845 035 $a(PQKBTitleCode)TC0000744552 035 $a(PQKBWorkID)10844865 035 $a(PQKB)10743279 035 $a(MiAaPQ)EBC1085107 035 $a(MdBmJHUP)muse18921 035 $a(Au-PeEL)EBL1085107 035 $a(CaPaEBR)ebr10603782 035 $a(CaONFJC)MIL385319 035 $a(EXLCZ)992670000000246586 100 $a20120229d2012 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aTime and the digital$b[electronic resource] $econnecting technology, aesthetics, and a process philosophy of time /$fTimothy Scott Barker 210 $aHanover, N.H. $cDartmouth College Press$dc2012 215 $a1 online resource (249 p.) 225 0 $aInterfaces, studies in visual culture 300 $aDescription based upon print version of record. 311 $a1-61168-299-1 320 $aIncludes bibliographical references (p. 215-225) and index. 327 $aTitle Page; Contents; Illustrations; Acknowledgments; Introduction; Whitehead and Deleuze; Trains, Telephones, Televisions; Mediation; Time, Process, and Multi-temporality; 1 | Experimenting with Time; Convergences; Performing Digital Aesthetics; Technology as Temporalizing; 2 | Time and Process; Process; Whitehead's Time; What Is an Event?; Perceiving Events; 3 | Deleuze's Timeand Serres's Multi-temporality; What Deleuze Reads in Bergson; The Virtual; Serres's Time and Digital "Presentness"; A Time That Moves Sideways; 4 | The Time of David Claerbout, Bill Viola, and Dan Graham 327 $aThe Time of David ClaerboutThe Time of Bill Viola; The Time of Dan Graham; 5 | Events & Interactive Aesthetics; The Event and Present; The Story Is Like a River . . .; Time and T_Visionarium; Re-presenting Events; Rethinking the User: Humans and Technology; 6 | Technology, Aesthetics, & Deleuze's Virtual; Time and the Virtual; Delays and Movement; Extensions, Entanglements, and Prehension; 7 | A Unison of Becoming; The Effect of Relations; A Digital Extensive Continuum; The Digital Past; Time, Process, and Databases; 8 | Databases and Time; Multi-temporality and Frames; Organizing Temporality 327 $aEvents and the ArchiveThe Database in Time; The Database and Temporal Relationships; Reterritorializing Data; Databases and the Extension of Occasions; Conclusion; Notes; Bibliography; Index 330 $aAn original consideration of the temporal in digital art and aesthetics 410 0$aInterfaces: Studies in Visual Culture 606 $aHuman-computer interaction 606 $aDigital media$xPhilosophy 606 $aSpace and time 606 $aAesthetics 606 $aTechnology and the arts 615 0$aHuman-computer interaction. 615 0$aDigital media$xPhilosophy. 615 0$aSpace and time. 615 0$aAesthetics. 615 0$aTechnology and the arts. 676 $a004.01/9 676 $a004.019 700 $aBarker$b Timothy Scott$01495251 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910785853503321 996 $aTime and the digital$93719293 997 $aUNINA