LEADER 01420nam 2200397 n 450 001 996387449003316 005 20200824120838.0 035 $a(CKB)1000000000629082 035 $a(EEBO)2240937359 035 $a(UnM)99841780e 035 $a(UnM)99841780 035 $a(EXLCZ)991000000000629082 100 $a19910415d1579 uy | 101 0 $alat 135 $aurbn||||a|bb| 200 00$aDe iure regni apud Scotos$b[electronic resource] $edialogus, authore Georgio Buchanano Scoto 210 $a[Edinburgh $cPrinted by John Ross]$dAnno Do. 1579 215 $a[4], 76, 75-104, [2] p 300 $aIn the form of a dialogue with Thomas Maitland. 300 $aWith a final errata leaf. 300 $aAnother issue, with cancel title page, of the edition with John Ross' and Henry Charteris's names in the imprint. 300 $aReproduction of the original in the Henry E. Huntington Library and Art Gallery. 330 $aeebo-0018 606 $aKings and rulers$xDuties$vEarly works to 1800 607 $aScotland$xConstitutional law$vEarly works to 1800 615 0$aKings and rulers$xDuties 700 $aBuchanan$b George$f1506-1582.$0548071 701 $aMaitland$b Thomas$01001903 801 0$bCu-RivES 801 1$bCu-RivES 801 2$bCStRLIN 801 2$bWaOLN 906 $aBOOK 912 $a996387449003316 996 $aDe iure regni apud Scotos$92303010 997 $aUNISA LEADER 02651nam 2200589Ia 450 001 9910785777503321 005 20230801224347.0 010 $a1-4529-4756-2 010 $a0-8166-8024-8 035 $a(CKB)2670000000241825 035 $a(EBL)1025589 035 $a(OCoLC)811507044 035 $a(SSID)ssj0000720121 035 $a(PQKBManifestationID)11479665 035 $a(PQKBTitleCode)TC0000720121 035 $a(PQKBWorkID)10660534 035 $a(PQKB)11429157 035 $a(StDuBDS)EDZ0001177277 035 $a(MiAaPQ)EBC1025589 035 $a(MdBmJHUP)muse29930 035 $a(Au-PeEL)EBL1025589 035 $a(CaPaEBR)ebr10602340 035 $a(CaONFJC)MIL525783 035 $a(EXLCZ)992670000000241825 100 $a20111118d2012 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aBrutal vision$b[electronic resource] $ethe neorealist body in postwar Italian cinema /$fKarl Schoonover 210 $aMinneapolis $cUniversity of Minnesota Press$d2012 215 $a1 online resource (320 p.) 300 $aDescription based upon print version of record. 311 $a0-8166-7555-4 311 $a0-8166-7554-6 320 $aIncludes bibliographical references and index. 327 $aIntroduction -- An inevitably obscene cinema: Bazin and neorealism -- The North Atlantic ballyhoo of liberal humanism -- Rossellini's exemplary corpse and the sovereign bystander -- Spectacular suffering: De Sica's bodies and charity's gaze -- Neorealism undone: the resistant physicalities of the second generation -- Conclusion. 330 $aFilm history identifies Italian neorealism as the exemplar of national cinema, a specifically domestic response to wartime atrocities. Brutal Vision challenges this orthodoxy by arguing that neorealist films-including such classics as Rome, Open City; Paisan; Shoeshine; and Bicycle Thieves -should be understood less as national products and more as complex agents of a postwar reorganization of global politics. For these films, cinema facilitates the liberal humanist sympathy required to usher in a new era of world stability. In his readings of crucial films and newly discovered documents from 606 $aMotion pictures$zItaly 606 $aRealism in motion pictures 615 0$aMotion pictures 615 0$aRealism in motion pictures. 676 $a791.43/612 700 $aSchoonover$b Karl$01116229 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910785777503321 996 $aBrutal vision$92643438 997 $aUNINA