LEADER 03964nam 22006732 450 001 9910785729803321 005 20151002020704.0 010 $a1-4744-7216-8 010 $a0-7486-7105-6 010 $a0-7486-8060-8 010 $a0-7486-7945-6 024 7 $a10.1515/9781474472166 035 $a(CKB)2670000000258725 035 $a(SSID)ssj0000767424 035 $a(PQKBManifestationID)12331890 035 $a(PQKBTitleCode)TC0000767424 035 $a(PQKBWorkID)10740627 035 $a(PQKB)10465120 035 $a(UkCbUP)CR9780748680603 035 $a(StDuBDS)EDZ0000092651 035 $a(MiAaPQ)EBC6145161 035 $a(DE-B1597)616833 035 $a(DE-B1597)9781474472166 035 $a(OCoLC)1076691699 035 $a(EXLCZ)992670000000258725 100 $a20130327d2005|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aNew punk cinema /$fedited by Nicholas Rombes$b[electronic resource] 210 1$aEdinburgh :$cEdinburgh University Press,$d2005. 215 $a1 online resource (xii, 218 pages) $cdigital, PDF file(s) 225 1 $aTraditions in world cinema 300 $aTitle from publisher's bibliographic system (viewed on 02 Oct 2015). 311 $a0-7486-2035-4 311 $a0-7486-2034-6 320 $aIncludes bibliographical references and index. 327 $aPunk cinema / Stacy Thompson -- Italian neo-realist influences / Jay McRoy -- The French new wave: new again / Timothy Dugdale -- Sincerity and irony / Nicholas Rombes -- DVD and the new cinema of complexity / Graeme Harper -- Digital technologies and the poetics of performance / Bruno Lessard -- Navigating chaos / Silvio Gaggi -- Non-linear narrative / Bruce Isaacs -- Making it real / Steven Rubio -- Dogma brothers: Lars von Trier and Thomas Vinterberg / Shohini Chaudhuri -- Mike Figgis: Time code and the screen / Constantine Verevis -- What was the neo-underground and what wasn't: a first reconsideration of Harmony Korine / Benjamin Halligan -- Repo man: reclaiming the spirit of punk with Alex Cox / Xavier Mendik. 330 $aNew Punk Cinema is the first book to examine a new breed of film that is indebted to the punk spirit of experimentation, do-it-yourself ethos, and an uneasy, often defiant relationship with the mainstream. An array of established and emerging scholars trace and map the contours of new punk cinema, from its roots in neorealism and the French New Wave, to its flowering in the work of Lars von Trier and the Dogma 95 movement. Subsequent chapters explore the potentially democratic and even anarchic forces of digital filmmaking, the influences of hypertext and other new media, the increased role of the viewer in arranging and manipulating the chronology of a film, and the role of new punk cinema in plotting a course beyond the postmodern. The book examines a range of films, including The Blair Witch Project, Time Code, Run Lola Run, Memento, The Celebration, Gummo, and Requiem for a Dream. New Punk Cinema is ideal for classroom use at the undergraduate and graduate levels, as well as for film scholars interested in fresh approaches to the emergence of this vital new turn in cinema. 410 0$aTraditions in world cinema. 606 $aExperimental films$xHistory and criticism 606 $aPunk culture 606 $aMotion pictures$xPhilosophy 606 $aMotion pictures$xHistory 615 0$aExperimental films$xHistory and criticism. 615 0$aPunk culture. 615 0$aMotion pictures$xPhilosophy. 615 0$aMotion pictures$xHistory. 676 $a791.4375 700 $aRombes$b Nicholas, $4aut$4http://id.loc.gov/vocabulary/relators/aut$01475978 702 $aRombes$b Nicholas 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9910785729803321 996 $aNew punk cinema$93690382 997 $aUNINA