LEADER 04113nam 22007452 450 001 9910785722603321 005 20151002020704.0 010 $a1-315-65498-9 010 $a1-317-32070-0 010 $a1-317-32071-9 010 $a1-283-85038-9 010 $a1-84893-341-X 035 $a(CKB)2670000000270305 035 $a(EBL)1035072 035 $a(OCoLC)818815319 035 $a(SSID)ssj0000797927 035 $a(PQKBManifestationID)12339399 035 $a(PQKBTitleCode)TC0000797927 035 $a(PQKBWorkID)10738863 035 $a(PQKB)10148397 035 $a(MiAaPQ)EBC2127335 035 $a(MiAaPQ)EBC4015459 035 $a(MiAaPQ)EBC1035072 035 $a(MiAaPQ)EBC1510953 035 $a(Au-PeEL)EBL1035072 035 $a(UkCbUP)CR9781848933415 035 $a(EXLCZ)992670000000270305 100 $a20141021d2012|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aUnited islands? $ethe languages of resistance /$fedited by John Kirk, Andrew Noble and Michael Brown$b[electronic resource] 205 $a1st ed. 210 1$aLondon :$cPickering & Chatto,$d2012. 215 $a1 online resource (xv, 272 pages) $cdigital, PDF file(s) 225 1 $aPoetry and song in the age of revolution ;$vno. 1 300 $aTitle from publisher's bibliographic system (viewed on 02 Oct 2015). 311 $a1-84893-340-1 320 $aIncludes bibliographical references and index. 327 $aAcknowledgements; List of Figures and Tables; List of Contributors; Introduction; 1. Reading the English Political Songs of the 1790s; 2. Why Should the Landlords Have the Best Songs; 3. 'Bard of Liberty'; 4. Canonicity and Radical Evangelicalism; 5. Charlotte Brooke's Reliques of Irish Poetry; 6. Homology, Analogy and the Perception of Irish Radicalism; 7. Lost Manuscripts and Reactionary Rustling; 8. Virile Vernaculars; 9. Thomas Moore and the Problem of Colonial Masculinity in Irish Romanticism; 10. Radical Politics and Dialect in the British Archipelago 327 $a11. 'Theaw Kon Ekspect No Mooar Eawt ov a Pig Th in a Grunt'Afterword; Notes; Works Cited; Untitled 330 $aIn the aftermath of the American and French Revolutions, the 1790s brought a huge outpouring of poetry and song in support of radicalism in Great Britain and Ireland. The essays in this volume deal with radical poetry in Ireland, Highland and Lowland Scotland, and Wales, as well as in the regions of England and London, placing the 1790s in a broader historical and cultural context. Much of the material drawn on is non-canonical, unstudied, and in one of the Celtic languages or in Scots or dialect English. The contributors are able to show that reactionary political verse is a pan-British phenomenon, and that the writing of this period has fundamental implications for the history of Britain. They show how poetry and song can reveal the relations between the four nations at this time, particularly that between England with the other three. 410 0$aPoetry and song in the age of revolution ;$vno. 1. 606 $aProtest literature, English$xHistory and criticism 606 $aPolitics and literature$zGreat Britain$xHistory$y18th century 606 $aPolitics and literature$zGreat Britain$xHistory$y19th century 606 $aEnglish literature$y18th century$xHistory and criticism 606 $aEnglish literature$y19th century$xHistory and criticism 615 0$aProtest literature, English$xHistory and criticism. 615 0$aPolitics and literature$xHistory 615 0$aPolitics and literature$xHistory 615 0$aEnglish literature$xHistory and criticism. 615 0$aEnglish literature$xHistory and criticism. 676 $a820.9358 702 $aKirk$b John M$g(John Monfries),$f1952- 702 $aNoble$b Andrew$f1939- 702 $aBrown$b Michael$f1972- 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9910785722603321 996 $aUnited islands$93774110 997 $aUNINA