LEADER 00862nam0-22002891i-450- 001 990004355340403321 005 19990530 010 $a84-249-1239-X 035 $a000435534 035 $aFED01000435534 035 $a(Aleph)000435534FED01 035 $a000435534 100 $a19990530d1987----km-y0itay50------ba 101 0 $aita 105 $ay-------001yy 200 1 $a<>novela existencial espanola de posguerra$fOscar Barrero Perez 210 $aMadrid$cGredos$d1987. 215 $a306 p.$d20 cm 225 1 $aBiblioteca románica hispánica$h2.$iEstudios y ensayos$v356 700 1$aBarrero Perez,$bOscar$0167730 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990004355340403321 952 $aCOLL. 434A(356)$bBibl.4718$fFLFBC 959 $aFLFBC 996 $aNovela existencial espanola de posguerra$9488686 997 $aUNINA LEADER 02737nam 2200589Ia 450 001 9910785605603321 005 20230801224131.0 010 $a1-4411-4852-3 010 $a1-283-73613-6 010 $a1-4411-4976-7 035 $a(CKB)2670000000238833 035 $a(EBL)1014742 035 $a(OCoLC)809910948 035 $a(SSID)ssj0000738608 035 $a(PQKBManifestationID)12341213 035 $a(PQKBTitleCode)TC0000738608 035 $a(PQKBWorkID)10791769 035 $a(PQKB)10734279 035 $a(MiAaPQ)EBC1014742 035 $a(Au-PeEL)EBL1014742 035 $a(CaPaEBR)ebr10595481 035 $a(CaONFJC)MIL404863 035 $a(OCoLC)811491915 035 $a(MiAaPQ)EBC6163539 035 $a(EXLCZ)992670000000238833 100 $a20111208d2012 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aOn modern poetry$b[electronic resource] $efrom theory to total criticism /$fRobert Rowland Smith 210 $aLondon ;$aNew York $cContinuum$dc2012 215 $a1 online resource (213 p.) 300 $aDescription based upon print version of record. 311 $a1-4411-6572-X 320 $aIncludes bibliographical references and index. 327 $aAcknowledgements; Introduction; Part 1: Themes; 1 Two or three lines through modern poetic theory; 2 Rhyme and reason; 3 The object; 4 Hearing voices; 5 The flowers of rhetoric; Part 2: Readings; 6 Darkling; 7 Forgetting Tennyson's memory; 8 Hopkins, 'f' and 'l'; 9 Symons in the decade of decadence; 10 High Windows, reframed; 11 The case of J. H. Prynne; Notes; Index 330 $aAlltoo often, the history of poetry criticism in the 20th Century is told as atale of two sides. While 'Lit crit' pored over the author's every line,'Theory' stood on the shoulder of texts to gaze into the metaphysical mists. Drawingon the key insights of both Lit crit and Theory, On Modern Poetry tries to get beyond the oppositionbetween them, proposing instead a 'total criticism' that draws on all resourcesavailable. It combines 'analytic irony' with 'imaginative empathy' in orderto generate fresh insights. The themes discussed in the firstpart of the book include tradition, voice, rhyme, rh 606 $aPoetry, Modern$y20th century$xHistory and criticism$xTheory, etc 606 $aModernism (Literature) 615 0$aPoetry, Modern$xHistory and criticism$xTheory, etc. 615 0$aModernism (Literature) 676 $a809.104 700 $aSmith$b Robert Rowland$01478016 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910785605603321 996 $aOn modern poetry$93785008 997 $aUNINA