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100   $a20120823d2009      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aNew Korean cinema$b[electronic resource] $ebreaking the waves /$fDarcy Paquet
210   $aLondon ;$aNew York $cWallflower$dc2009
215   $a1 online resource (145 p.)
225 1 $aShort cuts
300   $aDescription based upon print version of record.
311   $a1-906660-25-5 
320   $aIncludes bibliographical references and index.
327   $aContents; Acknowledgments; Introduction; 1 A New Society; 2 A New Film Industry; 3 The Boom; 4 New Ambitions; 5 Conclusion; Filmography; Bibliography; Index
330   $aNew Korean Cinema charts the dramatic transformation of South Korea's film industry from the democratization movement of the late 1980s to the 2000s new generation of directors. The author considers such issues as government censorship, the market's embrace of Hollywood films, and the social changes which led to the diversification and surprising commercial strength of contemporary Korean films. Directors such as Hong Sang-soo, Kim Ki-duk, Park Chan-wook, and Bong Joon-ho are studied within their historical context together with a range of films including Sopyonje (1993), Peppermint Candy
410  0$aShort cuts (London, England)
606   $aMotion pictures$zKorea
615  0$aMotion pictures
676   $a791.4309519
700   $aPaquet$b Darcy$01505503
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910785547903321
996   $aNew Korean cinema$93735087
997   $aUNINA