LEADER 04221oam 2200649I 450 001 9910785541803321 005 20230705094500.0 010 $a1-283-58678-9 010 $a9786613899231 010 $a0-203-09501-4 010 $a1-136-21092-X 024 7 $a10.4324/9780203095010 035 $a(CKB)2670000000237916 035 $a(EBL)1016075 035 $a(OCoLC)810082495 035 $a(SSID)ssj0000739543 035 $a(PQKBManifestationID)12350730 035 $a(PQKBTitleCode)TC0000739543 035 $a(PQKBWorkID)10686918 035 $a(PQKB)10937250 035 $a(MiAaPQ)EBC1016075 035 $a(Au-PeEL)EBL1016075 035 $a(CaPaEBR)ebr10596207 035 $a(CaONFJC)MIL389923 035 $a(OCoLC)811411960 035 $a(FINmELB)ELB134836 035 $a(EXLCZ)992670000000237916 100 $a20180706d2013 uy 0 101 0 $aeng 135 $aurcn#---||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 12$aA theory of adaptation /$fLinda Hutcheon ; with Siobhan O'Flynn 205 $a2nd ed. 210 1$aAbingdon, Oxon :$cRoutledge,$d2013. 215 $a1 online resource 300 $aPrevious ed.: 2006. 311 $a0-415-53938-2 311 $a0-415-53937-4 320 $aIncludes bibliographical references and index. 327 $a1. Beginning to Theorize Adaptation: What? Who? Why? How? Where? When? -- Familiarity and Contempt -- Treating Adaptations as Adaptations -- Exactly What Gets Adapted? How? -- Double Vision: Defining Adaptation -- Adaptation as Product: Announced, Extensive, Specific Transcoding -- Adaptation as Process -- Modes of Engagement -- Framing Adaptation -- 2. What? (Forms) -- Medium Specificity Revisited -- Telling - Showing -- Showing - Showing -- Interacting - Telling or Showing -- Cliche? #1 -- Cliche? #2 -- Cliche? #3 -- Cliche? #4 -- Learning from Practice -- 3. Who? Why? (Adapters) -- Who is the Adapter? -- Why Adapt? -- The Economic Lures -- The Legal Constraints -- Cultural Capital -- Personal and Political Motives -- Learning from Practice -- Intentionality in Adaptations -- 4. How? (Audiences) -- The Pleasures of Adaptation -- Knowing and Unknowing Audiences -- Modes of Engagement Revisited -- Kinds and Degrees of Immersion -- 5. Where? When? (Contexts) -- The Vastness of Context -- Transcultural Adaptation -- Indigenization -- Learning from Practice -- Why Carmen? -- The Carmen Story-and Stereotype -- Indigenizing Carmen -- 6. Final Questions -- What is not an Adaptation? -- What is the Appeal of Adaptations?. 330 $aA Theory of Adaptation explores the continuous development of creative adaptation, and argues that the practice of adapting is central to the story-telling imagination. Linda Hutcheon develops a theory of adaptation through a range of media, from film and opera, to video games, pop music and theme parks, analysing the breadth, scope and creative possibilities within each. This new edition is supplemented by a new preface from the author, discussing both new adaptive forms/platforms and recent critical developments in the study of adaptation.? It also features an illuminating new epilogue from Siobhan O?Flynn, focusing on adaptation in the context of digital media. She considers the impact of transmedia practices and properties on the form and practice of adaptation, as well as studying the extension of game narrative across media platforms, fan-based adaptation (from Twitter and Facebook to home movies), and the adaptation of books to digital formats. A Theory of Adaptation is the ideal guide to this ever evolving field of study and is essential reading for anyone interested in adaptation in the context of literary and media studies. 606 $aLiterature$xAdaptations 606 $aMusic and literature 615 0$aLiterature$xAdaptations. 615 0$aMusic and literature. 676 $a809 700 $aHutcheon$b Linda$f1947-,$0165517 701 $aO'Flynn$b Siobhan$01505452 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910785541803321 996 $aA theory of adaptation$93735032 997 $aUNINA