LEADER 03551nam 22006015 450 001 9910785517103321 005 20230607231242.0 010 $a0-231-50068-8 024 7 $a10.7312/lipp12530 035 $a(CKB)2670000000241362 035 $a(EBL)909194 035 $a(OCoLC)818856860 035 $a(SSID)ssj0000739586 035 $a(PQKBManifestationID)12240339 035 $a(PQKBTitleCode)TC0000739586 035 $a(PQKBWorkID)10697265 035 $a(PQKB)21512205 035 $a(DE-B1597)459069 035 $a(OCoLC)51574550 035 $a(OCoLC)979620113 035 $a(DE-B1597)9780231500685 035 $a(MiAaPQ)EBC909194 035 $a(EXLCZ)992670000000241362 100 $a20190708d2002 fg 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aTopographies of Japanese Modernism /$fSeiji Lippit 210 1$aNew York, NY : $cColumbia University Press, $d[2002] 210 4$dİ2002 215 $a1 online resource (321 pages) 300 $aDescription based upon print version of record. 311 $a0-231-12531-3 327 $tFrontmatter -- $tContents -- $tAcknowledgments -- $tIntroduction: Fissures of Japanese Modernity -- $t1. Disintegrating Mechanisms of Subjectivity: Akutagawa Ry?nosuke's Last Writings -- $t2. Topographies of Empire: Yokomitsu Riichi's Shanghai -- $t3. Mapping the Space of Mass Culture: Kawabata Yasunari's. Scarlet Gang of Asakusa -- $t4. Negations of Genre: Hayashi Fumiko's Nomadic Writing -- $t5. A Phantasmatic Return: Yokomitsu Riichi's Melancholic Nationalism -- $tNotes -- $tBibliography -- $tIndex 330 $aWhat happens when a critique of modernity-a "revolt against the traditions of the Western world"-is situated within a non-European context, where the concept of the modern has been inevitably tied to the image of the West?Seiji M. Lippit offers the first comprehensive study in English of Japanese modernist fiction of the 1920s and 1930s. Through close readings of four leading figures of this movement- Akutagawa, Yokomitsu, Kawabata, and Hayashi-Lippit aims to establish a theoretical and historical framework for the analysis of Japanese modernism.The 1920s and 1930s witnessed a general sense of crisis surrounding the institution of literature, marked by both the radical politicization of literary practice and the explosion of new forms of cultural production represented by mass culture. Against this backdrop, this study traces the heterogeneous literary topographies of modernist writings. Through an engagement with questions of representation, subjectivity, and ideology, it situates the disintegration of literary form in these texts within the writers' exploration of the fluid borderlines of Japanese modernity. 606 $aJapanese fiction$ySh?wa period, 1926-1989$xHistory and criticism 606 $aJapanese fiction$yTaish? period, 1912-1926$xHistory and criticism 606 $aLiterary criticism -- Asian -- General 606 $aModernism (Literature)$zJapan 615 0$aJapanese fiction$xHistory and criticism. 615 0$aJapanese fiction$xHistory and criticism. 615 4$aLiterary criticism -- Asian -- General. 615 0$aModernism (Literature) 676 $a895.634409112 700 $aLippit$b Seiji, $01507036 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a9910785517103321 996 $aTopographies of Japanese Modernism$93737497 997 $aUNINA