LEADER 02787nam 22004453u 450 001 9910785507903321 005 20230801224406.0 010 $a0-231-50456-X 035 $a(CKB)2670000000245705 035 $a(EBL)909594 035 $a(OCoLC)818857185 035 $a(MiAaPQ)EBC909594 035 $a(EXLCZ)992670000000245705 100 $a20130617d2012|||| u|| | 101 0 $aeng 135 $aur|n|---||||| 200 10$aCritical Cinema$b[electronic resource] $eBeyond the Theory of Practice 210 $aNew York $cColumbia University Press$d2012 215 $a1 online resource (321 p.) 300 $aDescription based upon print version of record. 311 $a1-906660-36-0 327 $aContents; Acknowledgments; Notes on Contributors; FOREWORD by Bill Nichols; INTRODUCTION by Clive Myer; PART ONE Reframing; 1. Theoretical Practice: Diegesis Is Not a Code of Cinema; 2. Cinema, Theory, Women; 3. Theory and Practice; 4. Passing Time: Reflections on the Old and the New; 5. Sublime Acts: The Fate of Resistance Between Film Theory and Practice; 6. Ranciere and the Persistence of Film Theory; 7. Behind the Mask of the Screenplay: The Screen Idea; 8. The Theory-Practice Interface in Film Education: Observational Documentary in India 327 $a9. The Student Author, Lacanian Discourse Theory and La Nuit Americaine10. Just Because You Have Eyes Does Not Mean You Can See; 11. Theory for Practice: Ceci N'est Pas L'Epistomologie; PART II Conversations; 12. Film and Philosophy: An Interview with Mike Figgis; 13. Playing with New Toys: An Interview With Peter Greenaway; 14. An Interview with Noel Burch: Playing with Toys by the Wayside; Index 330 $aCritical Cinema: Beyond the Theory of Practice purges the obstructive line between the making of and the theorising on film, uniting theory and practice in order to move beyond the commercial confines of Hollywood. Opening with an introduction by Bill Nichols, one of the world's leading writers on nonfiction film, this volume features contributions by such prominent authors as Noel Burch, Laura Mulvey, Peter Wollen, Brian Winston and Patrick Fuery. Seminal filmmakers such as Peter Greenway and Mike Figgis also contribute to the debate, making this book a critical text for students, 606 $aFilm criticism 606 $aMotion pictures -- Aesthetics 606 $aMotion pictures -- Philosophy 615 4$aFilm criticism. 615 4$aMotion pictures -- Aesthetics. 615 4$aMotion pictures -- Philosophy. 676 $a791.43 676 $a791.4301 700 $aMyer$b Clive$01554884 801 0$bAU-PeEL 801 1$bAU-PeEL 801 2$bAU-PeEL 906 $aBOOK 912 $a9910785507903321 996 $aCritical Cinema$93816443 997 $aUNINA