LEADER 03608nam 22006733u 450 001 9910785507603321 005 20231213143717.0 010 $a0-8047-8401-9 024 7 $a10.1515/9780804784016 035 $a(CKB)2670000000242651 035 $a(EBL)1031941 035 $a(OCoLC)818110263 035 $a(SSID)ssj0000758347 035 $a(PQKBManifestationID)12359584 035 $a(PQKBTitleCode)TC0000758347 035 $a(PQKBWorkID)10781145 035 $a(PQKB)10424296 035 $a(MiAaPQ)EBC1031941 035 $a(DE-B1597)563521 035 $a(DE-B1597)9780804784016 035 $a(OCoLC)1198931682 035 $a(EXLCZ)992670000000242651 100 $a20131216d2012|||| u|| | 101 0 $aeng 135 $aur||#|||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aOn Making Sense$b[electronic resource] $eQueer Race Narratives of Intelligibility 210 $aPalo Alto $cStanford University Press$d2012 215 $a1 online resource (217 p.) 225 1 $aStanford studies in comparative race and ethnicity 300 $aDescription based upon print version of record. 311 $a0-8047-8339-X 327 $aContents; Acknowledgments; Introduction: On the Practice and Politics of Intelligibility; 1. Morrison and Butler on Language and Knowledge; 2. Dying to Know in Baldwin's Another Country; 3. Queer Latina/o Migrant Labor; 4. Shifting the Site of Queer Enunciation; 5. Cho's Faggot Pageantry; Notes; Bibliography; Index 330 $aOn Making Sense juxtaposes texts produced by black, Latino, and Asian queer writers and artists to understand how knowledge is acquired and produced in contexts of racial and gender oppression. From James Baldwin's 1960's novel Another Country to Margaret Cho's turn-of-the-century stand-up comedy, these works all exhibit a preoccupation with intelligibility, or the labor of making sense of oneself and of making sense to others. In their efforts to "make sense," these writers and artists argue against merely being accepted by society on society's terms, but articulate a desire to confront epistemic injustice--an injustice that affects people in their capacity as knowers and as communities worthy of being known. The book speaks directly to critical developments in feminist and queer studies, including the growing ambivalence to antirealist theories of identity and knowledge. In so doing, it draws on decolonial and realist theory to offer a new framework to understand queer writers and artists of color as dynamic social theorists. 410 0$aStanford studies in comparative race and ethnicity 606 $aSexual minorities' writings, American$xHistory and criticism 606 $aGay people's writings, American$xHistory and criticism 606 $aAmerican literature$xHistory and criticism$xMinority authors 606 $aSexual minorities in literature 606 $aHomosexuality in literature 606 $aRace in literature 615 0$aSexual minorities' writings, American$xHistory and criticism 615 0$aGay people's writings, American$xHistory and criticism 615 0$aAmerican literature$xHistory and criticism$xMinority authors 615 0$aSexual minorities in literature 615 0$aHomosexuality in literature 615 0$aRace in literature 676 $a810.9/920664 676 $a810.9920664 700 $aMarti?nez$b Ernesto$01554882 801 0$bAU-PeEL 801 1$bAU-PeEL 801 2$bAU-PeEL 906 $aBOOK 912 $a9910785507603321 996 $aOn Making Sense$93816440 997 $aUNINA