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200 10$aBlockbuster history in the new Russia$b[electronic resource] $emovies, memory, and patriotism /$fStephen M. Norris
210   $aBloomington $cIndiana University Press$d2012
215   $a1 online resource (406 p.)
300   $aDescription based upon print version of record.
311   $a0-253-00680-5 
311   $a0-253-00679-1 
320   $aIncludes bibliographical references and index.
327   $aIntroduction: multiplexing Russia -- The Russia that we lost. The first blockbuster of the new nation -- Terrorism then and now -- Wars and gambits -- A requiem for communism -- The price of war. Mirror of war -- Playing with history -- Back in the USSR. The blessed blockbuster -- The Soviet horror show -- Fantasy pop history. Animating the past -- The look of fantasy -- The business of patriotism -- The production of the past -- Conclusion: packaging the past.
330   $aSeeking to rebuild the Russian film industry after its post-Soviet collapse, directors and producers sparked a revival of nationalist and patriotic sentiment by applying Hollywood techniques to themes drawn from Russian history. Unsettled by the government's move toward market capitalism, Russians embraced these historical blockbusters, packing the American-style multiplexes that sprouted across the country. Stephen M. Norris examines the connections among cinema, politics, economics, history, and patriotism in the creation of ""blockbuster history""-the adaptation of an American cinematic
606   $aMotion pictures$zRussia (Federation)$xHistory$y21st century
606   $aPatriotism in motion pictures
607   $aRussia (Federation)$xIn motion pictures
615  0$aMotion pictures$xHistory
615  0$aPatriotism in motion pictures.
676   $a791.430947
700   $aNorris$b Stephen M$01119537
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906   $aBOOK
912   $a9910785503903321
996   $aBlockbuster history in the new Russia$93816404
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