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200 10$aCaspar David Friedrich and the subject of landscape /$fJoseph Leo Koerner
205   $a2nd ed.
210  1$aLondon :$cReaktion,$d2009.
215   $a1 online resource (327 pages) $cillustrations (some color)
311 0 $a1-86189-439-2 
320   $aIncludes bibliographical references and index.
327   $aCASPAR DAVID FRIEDRICH Cover; Imprint page; Contents; Part 1: Romanticizing the World; I: From the Dresden Heath; 2: The Subject of Landscape; 3: Romanticism; Part II: Art as Religion; 4: The Non-Contemporaneity of the Contemporary; 5: Sentimentalism; 6: Friedrich's System; 7: Symbol and Allegory; 8: The End of Iconography; Part III: The Halted Traveller; 9: Entering the Wood; 10: Theomimesis; 11: Reflection; 12: De?ja? vu; Afterword; Select Bibliography; List of Illustrations; Index
330   $aCaspar David Friedrich (1774-1840) is heralded as the greatest painter of the Romantic movement in Germany, and Europe's first truly modern artist. His mysterious and melancholy landscapes, often peopled with lonely wanderers, are experiments in a radical
606   $aLandscapes in art
606   $aRomanticism in art$zGermany
615  0$aLandscapes in art.
615  0$aRomanticism in art
676   $a759.3
700   $aKoerner$b Joseph Leo$0607830
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906   $aBOOK
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