LEADER 01119nam--2200385---450- 001 990003214200203316 005 20090406093612.0 010 $a978-88-598-0399-7 035 $a000321420 035 $aUSA01000321420 035 $a(ALEPH)000321420USA01 035 $a000321420 100 $a20090406d2009----km-y0itay50------ba 101 $aita 102 $aIT 105 $a||||||||001yy 200 1 $aImmissionei e risarcimento del danno$fMarcello Adriano Mazzola 210 $aTorino$cUTETgiuridica$d2009 215 $aXVIII, 989 p.$d24 cm 225 2 $aSistemi giuridici 410 0$12001$aSistemi giuridici 454 1$12001 461 1$1001-------$12001 606 0 $aDanni$xRisarcimento$2BNCF 676 $a346.45077 700 1$aMAZZOLA,$bMarcello Adriano$0283679 801 0$aIT$bsalbc$gISBD 912 $a990003214200203316 951 $aXXV.1.K 5$b63012 G.$cXXV.1.K$d00188911 959 $aBK 969 $aGIU 979 $aFIORELLA$b90$c20090406$lUSA01$h0932 979 $aFIORELLA$b90$c20090406$lUSA01$h0936 996 $aImmissionei e risarcimento del danno$91012292 997 $aUNISA LEADER 03665oam 2200661 c 450 001 9910785427503321 005 20200115203623.0 010 $a1-4742-1199-2 010 $a1-282-94802-4 010 $a9786612948022 010 $a1-4411-8257-8 024 7 $a10.5040/9781474211994 035 $a(CKB)2670000000066658 035 $a(EBL)634570 035 $a(OCoLC)699475266 035 $a(SSID)ssj0000485549 035 $a(PQKBManifestationID)12194380 035 $a(PQKBTitleCode)TC0000485549 035 $a(PQKBWorkID)10603927 035 $a(PQKB)10986571 035 $a(MiAaPQ)EBC634570 035 $a(Au-PeEL)EBL634570 035 $a(CaPaEBR)ebr10438511 035 $a(CaONFJC)MIL294802 035 $a(OCoLC)1138651431 035 $a(UtOrBLW)bpp09257595 035 $a(EXLCZ)992670000000066658 100 $a20110614d2011 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe discourse of Italian cinema and beyond $elet cinema speak $fRoberta Piazza 210 1$aLondon $aNew York $cContinuum $d2011. 215 $a1 online resource (272 p.) 225 1 $aAdvances in stylistics 300 $aIncludes filmography 311 $a1-4411-7887-2 311 $a1-4411-3697-5 320 $aIncludes bibliographical references (pages [235]-252) and index 327 $a1. Background and Introduction \ 2. The verbal-visual interrelation in cinema \ 3. The focus on the representation of conflict in film \ 4. Confrontational discourse in comedy and the disengagement of dramatic talk \ 5. Spaghetti and American westerns: textual conflict marking the clash between opposing masculinities \ 6. The struggle for narrative autonomy in Antonioni's When Love Fails \ 7. The discourse of identity and confrontation in Mohsen Melliti's Me, the Other \ 8. Conclusions \ 9. References and filmography \ Index -- 330 8 $aRoberta Piazza's book is a linguistic investigation of the dialogue of Italian cinema covering a selection of films from the 1950s to the present day. It looks at how speech is dealt with in studies of the cinema and tackles the lack of engagement with dialogue in film studies. It explores the representation of discourse in cinema --  the way particular manifestations of verbal interaction are reproduced in film. Whereas 'representation' generally refers to the language used in texts to assign meaning to a group and its social practices, here discourse representation more directly refers to the relationship between real-life and cinematic discourse. Piazza analyses how fictional dialogue reinterprets authentic interaction in order to construe particular meanings. Beginning by exploring the relationship between discourse and genre, the second half of the book takes a topic-based approach and reflects on the themes of narrative and identity. The analysis carried out takes on board the multi-semiotic and multimodal components of film discourse. The book uses also uses concepts and methodologies from pragmatics, conversation analysis and discourse analysis. 410 0$aAdvances in stylistics. 606 $aMotion picture plays, Italian$xHistory and criticism 606 $2Films, cinema 606 $aMotion pictures$zItaly 615 0$aMotion picture plays, Italian$xHistory and criticism. 615 0$aMotion pictures 676 $a791.430945 700 $aPiazza$b Roberta$0467444 801 0$bUtOrBLW 801 1$bUtOrBLW 801 2$bUkLoBP 906 $aBOOK 912 $a9910785427503321 996 $aThe discourse of Italian cinema and beyond$93734265 997 $aUNINA