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010   $a9786612948060
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100   $a20100325d2010      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aFreedom and nature in Schelling's philosophy of art$b[electronic resource] /$fDevin Zane Shaw
210   $aLondon ;$aNew York $cContinuum$dc2010
215   $a1 online resource (188 p.)
225 1 $aContinuum studies in philosophy
300   $aDescription based upon print version of record.
311   $a1-4411-1732-6 
311   $a1-4411-5624-0 
320   $aIncludes bibliographical references and index.
327   $aContents; Acknowledgments; Note on Citations; Introduction; 1 Dogmatism, Criticism, and Art; 2 From Nature-philosophy to the 'Mythology of Reason'; 3 Artistic Activity and the Subversion of Transcendental Idealism; 4 Substance and History: Absolute Idealism and Art; 5 From Art and Nature to Freedom and Revelation; Conclusion; Notes; Bibliography; Index
330   $aSchelling is often thought to be a protean thinker whose work is difficult to approach or interpret. Devin Zane Shaw shows that the philosophy of art is the guiding thread to understanding Schelling's philosophical development from his early works in 1795-1796 through his theological turn in 1809-1810. Schelling's philosophy of art is the 'keystone' of the system; it unifies his idea of freedom and his philosophy of nature. Schelling's idea of freedom is developed through a critique of the formalism of Kant's and Fichte's practical philosophies, and his nature-philosophy is developed to show h
410  0$aContinuum studies in philosophy.
606   $aArt$xPhilosophy
615  0$aArt$xPhilosophy.
676   $a111/.85092
700   $aShaw$b Devin Zane$01498019
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910785402403321
996   $aFreedom and nature in Schelling's philosophy of art$93723393
997   $aUNINA