LEADER 02055nam 2200565Ia 450 001 9910785400003321 005 20230725025151.0 010 $a1-282-81844-9 010 $a9786612818448 010 $a0-253-00472-1 035 $a(CKB)2670000000051935 035 $a(OCoLC)669504925 035 $a(CaPaEBR)ebrary10415908 035 $a(SSID)ssj0000430089 035 $a(PQKBManifestationID)11271467 035 $a(PQKBTitleCode)TC0000430089 035 $a(PQKBWorkID)10453110 035 $a(PQKB)11521051 035 $a(MiAaPQ)EBC588795 035 $a(MdBmJHUP)muse17047 035 $a(Au-PeEL)EBL588795 035 $a(CaPaEBR)ebr10415908 035 $a(CaONFJC)MIL281844 035 $a(EXLCZ)992670000000051935 100 $a20100122d2010 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 13$aIl trittico, Turandot, and Puccini's late style$b[electronic resource] /$fAndrew Davis 210 $aBloomington $cIndiana University Press$dc2010 215 $a1 online resource (328 pages) 225 1 $aMusical meaning and interpretation 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-253-35514-1 320 $aIncludes bibliographical references and index. 327 $aStylistic plurality, narrative, levels of discourse, and voice -- The romantic style in late Puccini -- Expressive uses of convention in Il tabarro -- Formal multivalence in Suor angelica -- Humor and filmic effects in the structure of Gianni Schicchi -- Puccini's solution : integrating the conventional and unconventional. 410 0$aMusical meaning and interpretation. 606 $aOpera$y20th century 615 0$aOpera 676 $a782.1092 700 $aDavis$b Andrew C.$f1973-$01495636 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910785400003321 996 $aIl trittico, Turandot, and Puccini's late style$93723371 997 $aUNINA