LEADER 02518nam 2200625Ia 450 001 9910785390903321 005 20230725025211.0 010 $a1-4529-4645-0 010 $a0-8166-7358-6 035 $a(CKB)2670000000052458 035 $a(EBL)592799 035 $a(OCoLC)670430587 035 $a(SSID)ssj0000417181 035 $a(PQKBManifestationID)11301002 035 $a(PQKBTitleCode)TC0000417181 035 $a(PQKBWorkID)10437905 035 $a(PQKB)10765601 035 $a(StDuBDS)EDZ0001168500 035 $a(MiAaPQ)EBC592799 035 $a(MdBmJHUP)muse29796 035 $a(Au-PeEL)EBL592799 035 $a(CaPaEBR)ebr10421837 035 $a(CaONFJC)MIL523182 035 $a(EXLCZ)992670000000052458 100 $a20100317d2010 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe ethics of Earth art$b[electronic resource] /$fAmanda Boetzkes 210 $aMinneapolis ;$aLondon $cUniversity of Minnesota Press$dc2010 215 $a1 online resource (243 p.) 300 $aDescription based upon print version of record. 311 $a0-8166-6589-3 311 $a0-8166-6588-5 320 $aIncludes bibliographical references and index. 327 $aIntroduction: at the limit of form -- Contemporary art and the nature of site -- Spiral jetty: allegory and the recovery of the elemental -- Ecotechnology and the receptive surface -- The body as limit -- Conclusion: facing the earth ethically. 330 $aIn a major study of American architecture during World War II, Andrew M. Shanken focuses on the culture of anticipation that arose in this period, as out-of-work architects turned their energies from the built to the unbuilt, redefining themselves as planners and creating original designs to excite the public about postwar architecture. Shanken recasts the wartime era as a crucible for the intermingling of modernist architecture. 606 $aEarthworks (Art) 606 $aEarthworks (Art)$xHistory 606 $aEarthworks (Art)$xMoral and ethical aspects 615 0$aEarthworks (Art) 615 0$aEarthworks (Art)$xHistory. 615 0$aEarthworks (Art)$xMoral and ethical aspects. 676 $a709.04076 686 $a21.99$2bcl 700 $aBoetzkes$b Amanda$01484323 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910785390903321 996 $aThe ethics of Earth art$93702910 997 $aUNINA