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101 0 $aeng
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181   $ctxt
182   $cc
183   $acr
200 00$aBauhaus construct $efashioning identity, discourse and modernism /$fedited by Jeffrey Saletnik and Robin Schuldenfrei
210  1$aLondon ;$aNew York :$cRoutledge,$d2009.
215   $a1 online resource (289 p.)
300   $aDescription based upon print version of record.
311   $a0-415-77836-0 
311   $a0-415-77835-2 
320   $aIncludes bibliographical references and index.
327   $aBook Cover; Title; Copyright; Contents; Contributors; Acknowledgments; Introduction; Part 1 Agents; Chapter 1 The Bauhaus Manifesto Postwar to Postwar: From the Street to the Wall to the Radio to the Memoir; Chapter 2 The Irreproducibility of the Bauhaus Object; Chapter 3 The Disappearing Bauhaus: Architecture and its Public in the Early Federal Republic; Chapter 4 Pedagogic Objects: Josef Albers, Greenbergian Modernism, and the Bauhaus in America; Part 2 Transference; Chapter 5 A Refuge for Script: Paul Klee's "Square Pictures"; Chapter 6 Lyonel Feininger's Bauhaus Photographs
327   $aChapter 7 Excavating Surface: On the Repair and Revision of La?szlo? Moholy-Nagy's Z VII (1926)Chapter 8 Picturing Sculpture: Object, Image and Archive; Part 3 Object Identity; Chapter 9 Designing Men: New Visions of Masculinity in the Photomontages of Herbert Bayer, Marcel Breuer, and La?szlo? Moholy-Nagy; Chapter 10 The Bauhaus Object between Authorship and Anonymity; Chapter 11 The Identity of Design as Intellectual Property; Coda; Bauhaus Endgame: Ambiguity, Anxiety, and Discomfort; Illustration credits; Index
330   $aReconsidering the status and meaning of Bauhaus objects in relation to the multiple re-tellings of the school's history, this volume positions art objects of the Bauhaus within the theoretical, artistic, historical, and cultural concerns in which they were produced and received. Contributions from leading scholars writing in the field today - including Frederic J. Schwartz, Magdalena Droste, and Alina Payne - offer an entirely new treatment of the Bauhaus. Issues such as art and design pedagogy, the practice of photography, copyright law, and critical theory are discussed. Thr
606   $aArt, German$y20th century
606   $aDesign$zGermany$xHistory$y20th century
606   $aAvant-garde (Aesthetics)$zGermany$xHistory$y20th century
615  0$aArt, German
615  0$aDesign$xHistory
615  0$aAvant-garde (Aesthetics)$xHistory
676   $a709.04
701   $aSaletnik$b Jeffrey$01563716
701   $aSchuldenfrei$b Robin$0763383
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801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910785367103321
996   $aBauhaus construct$93832325
997   $aUNINA