LEADER 05940nam 22006851c 450 001 9910785357603321 005 20200115203623.0 010 $a1-4725-4659-8 010 $a1-282-87585-X 010 $a9786612875854 010 $a1-4411-7330-7 024 7 $a10.5040/9781472546593 035 $a(CKB)2670000000055668 035 $a(EBL)601497 035 $a(OCoLC)682540693 035 $a(SSID)ssj0000418668 035 $a(PQKBManifestationID)11251979 035 $a(PQKBTitleCode)TC0000418668 035 $a(PQKBWorkID)10377476 035 $a(PQKB)10056136 035 $a(MiAaPQ)EBC601497 035 $a(Au-PeEL)EBL601497 035 $a(CaPaEBR)ebr10427526 035 $a(CaONFJC)MIL287585 035 $a(OCoLC)686731848 035 $a(UtOrBLW)bpp09255927 035 $a(EXLCZ)992670000000055668 100 $a20140929d2009 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aGilles Deleuze $eimage and text $fedited by Eugene W. Holland, Daniel W. Smith and Charles J. Stivale 210 1$aLondon $aNew York $cContinuum $d2009. 215 $a1 online resource (289 p.) 300 $aConference on the campus of University of South Carolina, Apr. 5-8, 2007, sponsored by the Program in Comparative Literature, the English Department, and the College of Arts and Sciences 311 $a0-8264-0832-X 311 $a0-8264-3923-3 320 $aIncludes bibliographical references and index 327 $aIntroduction : image, text, thought / Eugene W. Holland -- Text/literature -- The landscape of sensation / Ronald Bogue -- Bim bam bom bem : 'Beckett's peephole' as audio-visual rhizome / Colin Gardner -- Where has Gertrud(e) gone? : Gertrude Stein's cinematic journey from movement-image to time-image / Sarah Posman -- (Giving) savings accounts? / Karen Houle -- Image/art -- Sensation : the earth, a people, art / Elizabeth Grosz -- Matisse with Dewey with Deleuze / Eric Alliez and Jean-Claude Bonne -- Mad love / Nadine Boljkovac -- Affective imagery : screen militarism / Felicity Colman -- Hyperconnectivity through Deleuze : indices of affect / Jondi Keane -- Deleuze, Guattari and contemporary art / Stephen Zepke -- Why is Deleuze an artist-philosopher? / Julie Kuhlken -- Philosophy -- Gilles Deleuze and the problem of freedom / Constantin V. Boundas -- On finding oneself Spinozist : refuge, beatitude and the any-space- whatever / Helene Frichot 327 $aIntroduction: Image, Text, Thought, Eugene W. Holland (Ohio State University, USA) -- Part I: Text -- Literature -- 1. The Landscape of Sensation, Ronald Bogue (University of Georgia, USA) -- 2. Bim Bam Bom Bem: 'Beckett's Peephole' as Audio-Visual Rhizome, Colin Gardner (University of California, Santa Barbara, USA) -- 3. Where Has Gertrud(e) Gone?: Gertrude Stein's Cinematic Journey from Movement-Image to Time-Image, Sarah Posman (Ghent University, Belgium) -- 4. (Giving) Savings Accounts?, Karen Houle (University of Guelph, Canada) -- Part II: Image -- Art -- 5. Sensation: The Earth, A People, Art, Elizabeth Grosz (SUNY, USA) -- 6. Matisse with Dewey with Deleuze, Eric Alliez (Middlesex University, UK) and Jean-Claude Bonne (l'Ecole des Hautes Etudes en Sciences Sociales, Paris, France) -- 7. Mad Love, Nadine Boljkovac (University of Cambridge, UK) -- 8. Affective Imagery: Screen Militarism, Felicity Coleman (Manchester Metropolitan University, UK) -- 9. Hyperconnectivity through Deleuze: Indices of Affect, Jondi Keane (Griffith University, Australia) -- 10. Deleuze, Guattari, and Contemporary Art, Stephen Zepke (Akademie der bildenden Ku?nste, Vienna, Austria) -- 11. Why Is Deleuze an Artist-Philosopher?, Julie Kuhlken (Concordia University, USA) -- Part III: Philosophy -- 12. Gilles Deleuze and the Problem of Freedom, Constantin V. Boundas (Trent University, Canada) -- 13. On Finding Oneself Spinozist: Refuge, Beatitude and the Any-Space-Whatever, He?le?ne Frichot (RMIT University, Australia) -- List of Contributors -- Bibliography -- Index 330 8 $aGilles Deleuze: Image and Text focuses on the intersection between Deleuzian philosophy and the arts. Deleuze combined exceptionally rigorous insight into important Western philosophers with an extraordinary sensitivity to literature, music, painting and film. He was intensely interested in the medium of thought, which is by no means limited to philosophy alone: it also takes place in science, mathematics, literature, painting and cinema, to name just some of the genres of thought to which Deleuze most often refers. His own thinking emerged almost as often in conversation with artists and literary writers as in engagement with other philosophers, and his philosophy cannot be fully grasped without an understanding of his engagement with the arts. This significant and timely collection of essays from an international team of leading Deleuze scholars brings together interpretations and commentaries from Deleuzian perspectives on subjects such as literature, painting, music and film. The book represents diverse modes of engagement with Deleuze's philosophical concepts and problems and demonstrates the central role the arts play in any understanding of his philosophical ideas 606 $aArts$xPhilosophy$vCongresses 606 $2Philosophy 615 0$aArts$xPhilosophy 676 $a194 702 $aHolland$b Eugene W. 702 $aSmith$b Daniel W$g(Daniel Warren),$f1958- 702 $aStivale$b Charles J. 712 02$aUniversity of South Carolina.$bProgram in Comparative Literature. 712 02$aUniversity of South Carolina.$bDepartment of English. 712 02$aUniversity of South Carolina.$bCollege of Arts and Sciences. 801 0$bUtOrBLW 801 1$bUtOrBLW 801 2$bUkLoBP 906 $aBOOK 912 $a9910785357603321 996 $aGilles Deleuze$9309900 997 $aUNINA