LEADER 01547nam 2200421Ia 450 001 9910711134803321 005 20180711120952.0 024 8 $aGOVPUB-C13-379d71c9a5b95947d969fe0833b27f10 035 $a(CKB)5470000002480665 035 $a(OCoLC)959982017 035 $a(OCoLC)995470000002480665 035 $a(EXLCZ)995470000002480665 100 $a20161006d1964 ua 0 101 0 $aeng 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aComparison of xenon and carbon arcs as radiation sources for laboratory weathering of asphalts /$fKeith G. Martin, Paul G. Campbell, James R. Wright 210 1$aGaithersburg, MD :$cU.S. Dept. of Commerce, National Institute of Standards and Technology,$d1964. 215 $a1 online resource 225 1 $aNBS report ;$v8511 300 $a1964. 300 $aContributed record: Metadata reviewed, not verified. Some fields updated by batch processes. 300 $aTitle from PDF title page. 320 $aIncludes bibliographical references. 700 $aMartin$b Keith G$01392191 701 $aCampbell$b Paul G$01392206 701 $aMartin$b Keith G$01392191 701 $aWright$b James R$086209 712 02$aUnited States.$bNational Bureau of Standards. 801 0$bNBS 801 1$bNBS 801 2$bOCLCO 801 2$bOCLCQ 906 $aBOOK 912 $a9910711134803321 996 $aComparison of xenon and carbon arcs as radiation sources for laboratory weathering of asphalts$93454780 997 $aUNINA LEADER 04322nam 2201045Ia 450 001 9910785284103321 005 20230725024850.0 010 $a1-282-66082-9 010 $a9786612660825 010 $a0-520-94740-1 024 7 $a10.1525/9780520947405 035 $a(CKB)2670000000043832 035 $a(EBL)566753 035 $a(OCoLC)659591219 035 $a(SSID)ssj0000399785 035 $a(PQKBManifestationID)11278664 035 $a(PQKBTitleCode)TC0000399785 035 $a(PQKBWorkID)10393520 035 $a(PQKB)11280937 035 $a(StDuBDS)EDZ0000084570 035 $a(MiAaPQ)EBC566753 035 $a(OCoLC)777474733 035 $a(MdBmJHUP)muse31096 035 $a(DE-B1597)519446 035 $a(DE-B1597)9780520947405 035 $a(Au-PeEL)EBL566753 035 $a(CaPaEBR)ebr10402712 035 $a(CaONFJC)MIL266082 035 $a(EXLCZ)992670000000043832 100 $a20100212d2010 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aDifferent drummers$b[electronic resource] $erhythm and race in the Americas /$fMartin Munro 210 $aBerkeley $cUniversity of California Press$dc2010 215 $a1 online resource 225 1 $aMusic of the African diaspora ;$v14 311 $a0-520-26282-4 311 $a0-520-26283-2 320 $aIncludes bibliographical references and index. 327 $tFrontmatter --$tContents --$tAcknowledgments --$tIntroduction. Slaves to the Rhythm --$t1. Beating Back Darkness --$t2. Rhythm, Creolization, and Conflict in Trinidad --$t3. Rhythm, Music, and Literature in the French Caribbean --$t4. James Brown, Rhythm, and Black Power --$tConclusion. Listening to New World History --$tNotes --$tReferences --$tIndex 330 $aLong a taboo subject among critics, rhythm finally takes center stage in this book's dazzling, wide-ranging examination of diverse black cultures across the New World. Martin Munro's groundbreaking work traces the central-and contested-role of music in shaping identities, politics, social history, and artistic expression. Starting with enslaved African musicians, Munro takes us to Haiti, Trinidad, the French Caribbean, and to the civil rights era in the United States. Along the way, he highlights such figures as Toussaint Louverture, Jacques Roumain, Jean Price-Mars, The Mighty Sparrow, Aimé Césaire, Edouard Glissant, Joseph Zobel, Daniel Maximin, James Brown, and Amiri Baraka. Bringing to light new connections among black cultures, Munro shows how rhythm has been both a persistent marker of race as well as a dynamic force for change at virtually every major turning point in black New World history. 410 0$aMusic of the African diaspora ;$v14. 606 $aBlack people$zCaribbean Area$xMusic$xHistory and criticism 606 $aAfrican Americans$xMusic$xHistory and criticism 610 $aafrican americans. 610 $aafrican diaspora. 610 $aafrican musicians. 610 $aamericas. 610 $aartistic expression. 610 $ablack cultures. 610 $acivil rights era. 610 $adiversity. 610 $adrum music. 610 $adrummers. 610 $aenslaved africans. 610 $afrench caribbean. 610 $ahaiti. 610 $ahistorical. 610 $ajacques roumain. 610 $ajames brown. 610 $ajean price mars. 610 $amusic and culture. 610 $amusic and identity. 610 $amusic critics. 610 $amusic historians. 610 $amusic politics. 610 $anew world. 610 $anonfiction. 610 $arace issues. 610 $arhythm. 610 $arole of music. 610 $ashaping identities. 610 $asocial history. 610 $atoussaint louverture. 610 $atrinidad. 610 $aunited states. 615 0$aBlack people$xMusic$xHistory and criticism. 615 0$aAfrican Americans$xMusic$xHistory and criticism. 676 $a780.89/960729 700 $aMunro$b Martin$01098945 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910785284103321 996 $aDifferent drummers$93740521 997 $aUNINA