LEADER 02192nam  22005051  450 
001 9910785281803321
005 20230418234407.0
010   $a1-282-70355-2
010   $a9786612703553
010   $a0-472-02708-5
024 7 $a10.3998/mpub.322627
035   $a(CKB)2670000000041415
035   $a(EBL)3414916
035   $a(OCoLC)654103844
035   $a(MiU)10.3998/mpub.322627
035   $a(MiAaPQ)EBC3414916
035   $a(EXLCZ)992670000000041415
100   $a19880715d1980      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aGeertz and culture /$fKenneth A. Rice
210  1$aAnn Arbor :$cUniversity of Michigan Press,$dc1980.
215   $a1 online resource (206 pages)
225 1 $aAnthropology series
225 1 $aImprint series
300   $aDescription based upon print version of record.
311 0 $a0-472-05059-1 
320   $aBibliography: pages 251-253.
327   $aContents; Introduction: Slam and the Search for Poetry's Great Audience; 1. On Page and Stage: Slam Poetry as a Genre; 2. Poetry and the People: The Cultural Tensions of American Popular Verse in Performance; 3. I Sing the Body Authentic: Slam Poetry and the Cultural Politics of Performing Identity; 4. ""Commercial Niggas Like Me"": Spoken Word Poetry, Hip-Hop, and the Racial Politics of Going Mainstream; Epilogue: ""Designs for Living""-Notes on the Future of Slam Poetry; Appendix; Document 1: The Official Rules of National Poetry Slam Competition
327   $aDocument 2: The Official National Poetry Slam ""Emcee Spiel"; "Document 3: The Official National Poetry Slam Instructions for Judges; Notes; Bibliography; Index
330   $aHow do slam poets and their audiences reflect the politics of difference?
410  0$aAnthropology series (University of Michigan Press)
606   $aCulture
615  0$aCulture.
676   $a301.2
700   $aSomers-Willett$b Susan B. A.$f1973-$01472545
801  0$bMiU
801  1$bMiU
906   $aBOOK
912   $a9910785281803321
996   $aGeertz and culture$93740498
997   $aUNINA