LEADER 05460nam 2200661 a 450 001 9910785243403321 005 20200520144314.0 010 $a1-282-79281-4 010 $a9786612792816 010 $a90-420-3056-9 024 7 $a10.1163/9789042030565 035 $a(CKB)2670000000047043 035 $a(EBL)587923 035 $a(OCoLC)680227538 035 $a(SSID)ssj0000417917 035 $a(PQKBManifestationID)12139320 035 $a(PQKBTitleCode)TC0000417917 035 $a(PQKBWorkID)10369819 035 $a(PQKB)11405594 035 $a(MiAaPQ)EBC587923 035 $a(OCoLC)668439417$z(OCoLC)676731449$z(OCoLC)712994382$z(OCoLC)744540964$z(OCoLC)764546065$z(OCoLC)960208401$z(OCoLC)988497249$z(OCoLC)991940995 035 $a(nllekb)BRILL9789042030565 035 $a(Au-PeEL)EBL587923 035 $a(CaPaEBR)ebr10420115 035 $a(CaONFJC)MIL279281 035 $a(EXLCZ)992670000000047043 100 $a20101112d2010 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aFord Madox Ford, modernist magazines and editing$b[electronic resource] /$fedited by Jason Harding 210 $aAmsterdam $cRodopi$d2010 215 $a1 online resource (273 p.) 225 1 $aInternational Ford Madox Ford studies ;$vv. 9 300 $aDescription based upon print version of record. 311 $a90-420-3055-0 320 $aIncludes bibliographical references. 327 $tPreliminary Material -- $tGENERAL EDITOR?S PREFACE /$rMax Saunders -- $tINTRODUCTION /$rJason Harding -- $tHENRY JAMES AND THE ENGLISH REVIEW /$rPhilip Horne -- $tFORD AS EDITOR IN JOSEPH CONRAD?S ?THE PLANTER OF MALATA? /$rGene M. Moore -- $tA MUSIC-HALL DOUBLE ACT: FORDIE AND WELLS?S ENGLISH REVIEW /$rNick Hubble -- $tLAWRENCE, FORD, STRONG READINGS, AND WEAK NERVES /$rGeorge Hyde -- $tTHE FEROCIOUSLY ODD, MUTUALLY BENEFICIAL EDITORIAL RELATIONSHIP OF FORD AND WYNDHAM LEWIS /$rSeamus O?Malley -- $t?WRITTEN AT LEAST AS WELL AS PROSE?: FORD, POUND, AND POETRY /$rPeter Robinson -- $t?HIS CARE FOR LIVING ENGLISH?: FORD MADOX FORD AND BASIL BUNTING /$rRichard Price -- $tJEAN RHYS?S QUARTET: A RE-INSCRIPTION OF FORD?S THE GOOD SOLDIER /$rElizabeth O?Connor -- $t?AN OLD MAN MAD ABOUT WRITING? BUT HOPELESS WITH MONEY: FORD MADOX FORD AND THE FINANCES OF THE ENGLISH REVIEW /$rNora Tomlinson -- $t?A FEW INCHES ABOVE THE MORAL ATMOSPHERE OF THESE ISLANDS?: THE PERSPECTIVES OF THE ENGLISH REVIEW /$rSimon Grimble -- $tLIBERALISM AND MODERNISM IN THE EDWARDIAN ERA: NEW LIBERALS AT FORD?S ENGLISH REVIEW /$rJohn Attridge -- $tTHE TRANSATLANTIC REVIEW (1924) /$rStephen Rogers -- $tEDITING THE TRANSATLANTIC REVIEW: LITERARY MAGAZINES AND THE PUBLIC SPHERE /$rAndrzej Gasiorek -- $t?WANDERING YANKEES?: THE TRANSATLANTIC REVIEW OR HOW THE AMERICANS CAME TO EUROPE /$rElena Lamberti -- $tCUTTING REMARKS: WHAT WENT MISSING FROM THE GOOD SOLDIER? /$rMartin Stannard -- $t?A CARICATURE OF HIS OWN VOICE?: FORD AND SELF-EDITING IN PARADE?S END /$rIsabelle Brasme -- $tEDITING FORD MADOX FORD?S POETRY /$rAshley Chantler -- $tCONTRIBUTORS -- $tABSTRACTS -- $tABBREVIATIONS. 330 $aThe controversial British writer Ford Madox Ford (1873-1939) is increasingly recognized as a major presence in early twentieth-century literature. This series of International Ford Madox Ford Studies was founded to reflect the recent resurgence of interest in him. Each volume is based upon a particular theme or issue; and relates aspects of Ford?s work, life, and contacts, to broader concerns of his time. Modernist periodicals and editorial theory have been very productive areas in recent research. This volume focuses on Ford and editing. Ford was one of the greatest editors of Modernist magazines. He founded the English Review in Edwardian London, publishing Henry James, Joseph Conrad, H. G. Wells, Ezra Pound, Wyndham Lewis, and D. H. Lawrence. His editorial relationships with all of these writers are examined in detail here, as are those with Jean Rhys, Ernest Hemingway, and Basil Bunting, connected with the transatlantic review launched by Ford in post-war Paris, which also carried experimental work by James Joyce, Gertrude Stein, and Tristan Tzara. These seventeen essays bring together distinguished scholars and poets, as well as younger experts on Modernism and its magazine culture. This collection provides a wealth of new research on the management, cultural politics, and editorial stance of Ford?s magazines; on the impact of his editorial contacts on his own and others? work; and on editorial approaches to his writing, including his best-known novels, The Good Soldier and Parade?s End . 410 0$aInternational Ford Madox Ford studies ;$vv. 9. 606 $aJournalism$zGreat Britain$xEditing$xHistory$y20th century 606 $aModernism (Literature) 606 $aInfluence (Literary, artistic, etc.)$xHistory$y20th century 615 0$aJournalism$xEditing$xHistory 615 0$aModernism (Literature) 615 0$aInfluence (Literary, artistic, etc.)$xHistory 676 $a823.912 701 $aHarding$b Jason$01550654 712 02$aFord Madox Ford Society. 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910785243403321 996 $aFord Madox Ford, modernist magazines and editing$93809598 997 $aUNINA