LEADER 04165nam  2201009 a 450 
001 9910785242503321
005 20200520144314.0
010   $a1-282-76446-2
010   $a9786612764462
010   $a0-520-94736-3
024 7 $a10.1525/9780520947368
035   $a(CKB)2670000000046761
035   $a(EBL)581278
035   $a(OCoLC)698472880
035   $a(SSID)ssj0000420927
035   $a(PQKBManifestationID)11271127
035   $a(PQKBTitleCode)TC0000420927
035   $a(PQKBWorkID)10405584
035   $a(PQKB)10487687
035   $a(StDuBDS)EDZ0000084709
035   $a(OCoLC)673617286
035   $a(MdBmJHUP)muse30862
035   $a(DE-B1597)519008
035   $a(OCoLC)729021107
035   $a(DE-B1597)9780520947368
035   $a(Au-PeEL)EBL581278
035   $a(CaPaEBR)ebr10417071
035   $a(CaONFJC)MIL276446
035   $a(MiAaPQ)EBC581278
035   $a(EXLCZ)992670000000046761
100   $a20100510d2011      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aInterpreting music$b[electronic resource] /$fLawrence Kramer
210   $aBerkeley $cUniversity of California Press$dc2011
215   $a1 online resource (332 p.)
300   $aDescription based upon print version of record.
311   $a0-520-26706-0 
311   $a0-520-26705-2 
320   $aIncludes bibliographical references and indexes.
327   $tFrontmatter -- $tContents -- $tMusical Examples -- $t1. Hermeneutics -- $t2. Language -- $t3. Subjectivity -- $t4. Meaning -- $t5. Metaphor -- $t6. History -- $t7. Influence -- $t8. Deconstruction -- $t9. Analysis -- $t10. Resemblance -- $t11. Things -- $t12. Classical -- $t13. Modern -- $t14. Works -- $t15. Performance -- $t16. Musicology -- $tNotes -- $tIndex of Concepts -- $tIndex of Names
330   $aInterpreting Music is a comprehensive essay on understanding musical meaning and performing music meaningfully-"interpreting music" in both senses of the term. Synthesizing and advancing two decades of highly influential work, Lawrence Kramer fundamentally rethinks the concepts of work, score, performance, performativity, interpretation, and meaning-even the very concept of music-while breaking down conventional wisdom and received ideas. Kramer argues that music, far from being closed to interpretation, is ideally open to it, and that musical interpretation is the paradigm of interpretation in general. The book illustrates the many dimensions of interpreting music through a series of case studies drawn from the classical repertoire, but its methods and principles carry over to other repertoires just as they carry beyond music by working through music to wider philosophical and cultural questions.
606   $aMusic$xHistory and criticism
606   $aMusic$xPhilosophy and aesthetics
610   $aaesthetics.
610   $abeauty.
610   $acase studies.
610   $aclassical music.
610   $aclassical repertoire.
610   $aconcept of music.
610   $aentertainment industry.
610   $aessay.
610   $aformalist approaches.
610   $ahermeneutic approaches.
610   $amodern culture.
610   $amusic culture.
610   $amusic historians.
610   $amusic interpretation.
610   $amusic philosophy.
610   $amusic scholars.
610   $amusic.
610   $amusical meaning.
610   $amusical performance.
610   $amusical scores.
610   $amusical work.
610   $amusicians.
610   $anonfiction.
610   $aopera.
610   $aperformativity.
610   $aperforming arts.
610   $aperforming music.
610   $athought provoking.
615  0$aMusic$xHistory and criticism.
615  0$aMusic$xPhilosophy and aesthetics.
676   $a781.1
700   $aKramer$b Lawrence$f1946-$0758984
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910785242503321
996   $aInterpreting music$93809589
997   $aUNINA
999   $p$107.25$u10/12/2017$5Music