LEADER 02484nam 2200553 a 450 001 9910785110603321 005 20230721013532.0 010 $a3-8366-2753-1 035 $a(CKB)2670000000053453 035 $a(EBL)595218 035 $a(OCoLC)679422987 035 $a(SSID)ssj0000658016 035 $a(PQKBManifestationID)12284048 035 $a(PQKBTitleCode)TC0000658016 035 $a(PQKBWorkID)10680907 035 $a(PQKB)11061317 035 $a(MiAaPQ)EBC595218 035 $a(Au-PeEL)EBL595218 035 $a(CaPaEBR)ebr10487851 035 $a(EXLCZ)992670000000053453 100 $a20110901d2009 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aPoliteness in Shakespeare$b[electronic resource] $eapplying Brown and Levinson's politeness theory to Shakespeare's comedies /$fAbdelaziz Bouchara 210 $aHamburg $cDiplomica Verlag$d2009 215 $a1 online resource (120 p.) 300 $aDescription based upon print version of record. 311 $a3-8366-7753-9 320 $aIncludes bibliographical references. 327 $aPoliteness in Shakespeare; Table of Contents; Abbreviations; 1 Introduction; 2 The Brown and Levinson model: some central concepts; 3 Politeness theory and literary discourse; 4 Applying the model to four Shakespearean comedies; 5 Conclusion; 6. References; 7 Appendix; Abdelaziz Bouchara 330 $aPenelope Brown and Stephen Levinson have proposed that power (P), distance (D), and the ranked extremity (R) of a face-threatening act are the universal determinants of politeness levels in dyadic discourse. This claim is tested here for Shakespeare's use of Early Modern English in Much Ado about Nothing, Measure for Measure, The Taming of the Shrew, and Twelfth Night. The comedies are used because: (1) dramatic texts provide the best information on colloquial speech of the period; (2) the psychological soliloquies in the comedies provide the access to inner life that is necessary for a proper 606 $aEtiquette in literature 606 $aEtiquette 615 0$aEtiquette in literature. 615 0$aEtiquette. 676 $a822.3 676 $a822.3/3 676 $a822.33 700 $aBouchara$b Abdelaziz$01145327 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910785110603321 996 $aPoliteness in Shakespeare$93725678 997 $aUNINA