LEADER 01068nam--2200337---450- 001 990003398070203316 005 20100512152427.0 010 $a978-88-708-8564-4 035 $a000339807 035 $aUSA01000339807 035 $a(ALEPH)000339807USA01 035 $a000339807 100 $a20100512d2008----km-y0itay50------ba 101 $aita 102 $aIT 105 $a||||||||001yy 200 1 $a<> filosofo Croce$eventicinque anni dell'Edizione nazionale delle Opere$egiornata di studio Prato 17-18 novembre 2006$fa cura di Maurizio Torrini 210 $aNapoli$cBibliopolis$d[2008] 215 $a289 p.$d21 cm 606 0 $aCroce,$bBenedetto$xPensiero filosofico$xCongressi$yPrato$z2006 676 $a195 702 1$aTORRINI,$bMaurizio 801 0$aIT$bsalbc$gISBD 912 $a990003398070203316 951 $aII.1.D. 5098$b217110 LM$cII.1.D.$d00275179 959 $aBK 969 $aUMA 979 $aSENATORE$b90$c20100512$lUSA01$h1521 979 $aSENATORE$b90$c20100512$lUSA01$h1524 996 $aFilosofo Croce$91126776 997 $aUNISA LEADER 04679nam 22006491c 450 001 9910785108103321 005 20200115203623.0 010 $a1-4411-0058-X 010 $a1-4725-4256-8 010 $a1-282-87066-1 010 $a9786612870668 010 $a0-8264-3879-2 024 7 $a10.5040/9781472542564 035 $a(CKB)2670000000054377 035 $a(EBL)601543 035 $a(OCoLC)682540724 035 $a(SSID)ssj0000438617 035 $a(PQKBManifestationID)12172900 035 $a(PQKBTitleCode)TC0000438617 035 $a(PQKBWorkID)10459278 035 $a(PQKB)11168308 035 $a(MiAaPQ)EBC601543 035 $a(Au-PeEL)EBL601543 035 $a(CaPaEBR)ebr10427539 035 $a(CaONFJC)MIL287066 035 $a(OCoLC)860616951 035 $a(UtOrBLW)bpp09255844 035 $a(MiAaPQ)EBC6161783 035 $a(EXLCZ)992670000000054377 100 $a20140929d2009 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt 182 $cc 183 $acr 200 00$aKazuo Ishiguro $fedited by Sean Matthews and Sebastian Groes 210 1$aLondon $aNew York $cContinuum $d2009. 215 $a1 online resource (168 p.) 225 0 $aContemporary critical perspectives 300 $aIncludes index. 311 $a0-8264-9723-3 311 $a0-8264-9724-1 320 $aIncludes bibliographical references (pages [126]-147) and index 327 $aForeword: On Having a Contemporary like Kazuo Ishiguro, Haruki Murakami -- Series Editors' Preface -- Acknowledgements -- Contributors -- Chronology of Kazuo Ishiguro's Life -- Introduction: 'Your words open windows for me': The Art of Kazuo Ishiguro, Sebastian Groes (Roehampton University, UK) and Sean Matthews (University of Nottingham, UK) -- 1. 'Somewhere just beneath the surface of things': Ishiguro's short fiction in context, Brian W. Shaffer (Rhodes College, Memphis, USA) -- 2. Strange Reads: Kazuo Ishiguro's A Pale View of Hills and An Artist of the Floating World in Japan, Motoyuki Shibata (Tokyo University, Japan) and Motoko Sugano (Waseda University, Tokyo, Japan) -- 3. 'Like the gateway to another world': Kazuo Ishiguro's Screenwriting, Sebastian Groes (Roehampton University) and Paul-Daniel Veyret (Universite de Montaigne-Bordeaux, France) -- 4. History, Memory and the Construction of Gender in A Pale View of Hills, Justine Baillie (University of Greenwich, UK) and Sean Matthews (University of Nottingham, UK) -- 5. Artifice and Absorption: The Modesty of The Remains of the Day, David James (University of Nottingham, UK) -- 6. 'To Give a Name, Is That Still to Give?': Footballers and Film Actors in The Unconsoled, Richard Robinson (University of Swansea, UK) -- 7. When We Were Orphans: Narration and Detection in the case of Christopher Banks, Helen Machinal (Universite? de Bretagne Occidentale, France) -- 8. Controlling Time: Never Let Me Go, Mark Currie (University of East Anglia, UK) -- Afterword: On First Reading Never Let Me Go, John Mullan (University College, London, UK) -- 'I'm Sorry I can't Say More': An Interview with Kazuo Ishiguro, Sean Matthews (University of Nottingham) References -- Further Reading -- Index 330 8 $aKazuo Ishiguro is one of the finest and most accomplished contemporary writers of his generation. The short story author, television writer and novelist, included twice in Granta's list of Best Young British Writers, has over the past twenty-five years produced a body of work which is just as critically-acclaimed as it is popular with the general public. Like the writings of Ian McEwan, Kazuo Ishiguro's work is concerned with creating discursive platforms for issues of class, ethics, ethnicity, nationhood, place, gender and the uses and problems surrounding artistic representation.  As a Japanese immigrant who came to Great Britain in 1960, Ishiguro has used his unique position and fine intellectual abilities to contemplate what it means to be British in the contemporary era.  This guide traces the main themes throughout Ishiguro's writing whilst it also pays attention to his short stories and writing for television.  It includes a new interview with the author, a preface by Haruki Murakami and discussion of James Ivory's adaptation of The Remains of the Day 410 0$aContinuum contemporary critical perspectives series. 606 $2Literary studies: from c 1900 - 676 $a823.914 702 $aMatthews$b Sean 702 $aGroes$b Sebastian 801 0$bUtOrBLW 801 1$bUtOrBLW 801 2$bUkLoBP 906 $aBOOK 912 $a9910785108103321 996 $aKazuo Ishiguro$9764660 997 $aUNINA