LEADER 03431nam 2200745Ia 450 001 9910785065103321 005 20230725023700.0 010 $a1-282-67331-9 010 $a9786612673313 010 $a3-11-023240-5 024 7 $a10.1515/9783110232400 035 $a(CKB)2670000000030343 035 $a(EBL)548104 035 $a(OCoLC)648711645 035 $a(SSID)ssj0000399338 035 $a(PQKBManifestationID)11297733 035 $a(PQKBTitleCode)TC0000399338 035 $a(PQKBWorkID)10384734 035 $a(PQKB)10802891 035 $a(MiAaPQ)EBC548104 035 $a(DE-B1597)38861 035 $a(OCoLC)658217917 035 $a(OCoLC)979584593 035 $a(OCoLC)987927290 035 $a(OCoLC)992454274 035 $a(DE-B1597)9783110232400 035 $a(Au-PeEL)EBL548104 035 $a(CaPaEBR)ebr10399354 035 $a(CaONFJC)MIL267331 035 $a(EXLCZ)992670000000030343 100 $a20100405d2010 uy 0 101 0 $aeng 135 $aur||#|||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aWhen machines play Chopin$b[electronic resource] $emusical spirit and automation in nineteenth-century German literature /$fKatherine Hirt 210 $aBerlin ;$aNew York $cWalter de Gruyter$d2010 215 $a1 online resource (178 p.) 225 1 $aInterdisciplinary German cultural studies ;$v8 300 $aIncludes index. 311 $a3-11-023239-1 327 $tFrontmatter --$tTable of Contents --$tChapter One Towards Autonomy: Imitation and Expression at the Turn of the Nineteenth Century --$tChapter Two E.T.A. Hoffmann's Aesthetics of Music and Musical Machines in "The Automata," "The Sandman" and Music Reviews --$tChapter Three Schopenhauer and Hanslick: Toward a Definition of Instrumental Music as an Autonomous Art --$tChapter Four Virtuosity and the Experience of Listening in Heinrich Heine's Music Criticism and "Florentine Nights" --$tChapter Five Rilke's Phonograph: the "Talking Machine" and Imagined Sound --$tBackmatter 330 $aWhen Machines Play Chopin brings together music aesthetics, performance practices, and the history of automated musical instruments in nineteenth-century German literature. Philosophers defined music as a direct expression of human emotion while soloists competed with one another to display machine-like technical perfection at their instruments. When Machines Play Chopin looks at this paradox between thinking about and practicing music to show what three literary works say about automation and the sublime in art. 410 0$aInterdisciplinary German cultural studies ;$v8. 606 $aGerman literature$y19th century$xHistory and criticism 606 $aMusical instruments in literature 606 $aMusic in literature 606 $aMusic and literature$zGermany$xHistory$y19th century 610 $aMechanical Musical Instrument. 610 $aMusic/in Literature. 615 0$aGerman literature$xHistory and criticism. 615 0$aMusical instruments in literature. 615 0$aMusic in literature. 615 0$aMusic and literature$xHistory 676 $a830.9/3578 686 $aGL 1411$2rvk 700 $aHirt$b Katherine Maree$01478551 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910785065103321 996 $aWhen machines play Chopin$93694240 997 $aUNINA