LEADER 04333nam 22006253u 450 001 9910785010703321 005 20240111211001.0 010 $a1-280-44193-3 010 $a0-19-535763-9 035 $a(CKB)2670000000038831 035 $a(EBL)728807 035 $a(OCoLC)475956978 035 $a(SSID)ssj0000425537 035 $a(PQKBManifestationID)12137865 035 $a(PQKBTitleCode)TC0000425537 035 $a(PQKBWorkID)10367982 035 $a(PQKB)10735599 035 $a(MiAaPQ)EBC728807 035 $a(EXLCZ)992670000000038831 100 $a20140113d1995|||| u|| | 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aPoetry into Song$b[electronic resource] $ePerformance and Analysis of Lieder 210 $aOxford $cOxford University Press, USA$d1995 215 $a1 online resource (432 p.) 300 $aDescription based upon print version of record. 311 $a0-19-975430-6 327 $aContents; FOREWORD; INTRODUCTION: Preliminary Clarifications; CHAPTER ONE: Introduction to German Romanticism; Historical Context of German Romanticism; German Romantic Themes and Imagery; Cultural Influences within German Romanticism; Exercises; CHAPTER TWO: Devices and Delights in Poetry; Poetic Content; Poetic Form; Exercises; CHAPTER THREE: Texture; Vocal Styles; Accompanimental Styles; Models for Study of Texture; Exercises; CHAPTER FOUR: Temporality; Nuances of Notation; Determination of Tempo; Timing between Partners; Exercises; CHAPTER FIVE: Elements of Interpretation; Dynamics 327 $aTimbreVocal Accent and Stress; The Concept of Persona; Exercises; CHAPTER SIX: Harmony and Tonality; Harmonic and Tonal Norms; Tonality and Mode; Harmonic and Tonal Innovation; Exercises; CHAPTER SEVEN: Melody and Motive; Melodic Overview: Context and Characteristics; Linear Analysis; Contrapuntal Structure of Melody and Bass; Compound Line; Motivic Analysis; Melody in the Accompaniment; Exercises; CHAPTER EIGHT: Rhythm and Meter; Rhythmic, Metric, and Phrase Norms; Metric, Rhythmic, and Phrase Deviations; Exercises; CHAPTER NINE: Form in the German Lied; Introduction 327 $aAnalysis of Form in LiederConclusion; Exercises; CHAPTER TEN: Different Settings of a Single Text: Comparison of Compositional Style; Settings of ""Harper I"": Schubert, Schumann, and Wolf; Comparisons with Brahms Lieder; Settings of ""Liebst du um Scho?nheit"": Clara Schumann and Gustav Mahler; Conclusion; Exercises; POSTLUDE; NOTES; APPENDIX I: Text Translations; APPENDIX II: Glossary: Terminology for Poetry, Performance, Analysis; A; B; C; D; E; F; G; H; I; L; M; O; P; R; S; T; APPENDIX III: Selected Bibliography; APPENDIX IV: Repertory by Chapter; APPENDIX V: Scores Not Readily Accessible 327 $aINDEXA; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W; Z 330 $aFocusing on the music of the great song composers--Schubert, Schumann, Brahms, Wolf, and Strauss--Poetry Into Song offers a systematic introduction to the performance and analysis of Lieder . Part I, ""The Language of Poetry,"" provides chapters on the themes and imagery of German Romanticism and the methods of analysis for German Romantic poetry. Part II, ""The Language of the Performer,"" deals with issues of concern to performers: texture, temporality, articulation, and interpretation of notation and unusual rhythm accents and stresses. Part III provides clearly defined analytical procedure 606 $aSongs -- 19th century -- History and criticism 606 $aSongs -- 20th century -- History and criticism 606 $aSongs -- Analysis, appreciation 606 $aSongs -- Interpretation (Phrasing, dynamics, etc.) 615 4$aSongs -- 19th century -- History and criticism. 615 4$aSongs -- 20th century -- History and criticism. 615 4$aSongs -- Analysis, appreciation. 615 4$aSongs -- Interpretation (Phrasing, dynamics, etc.). 676 $a782.42168 676 $a782.42168/0943 676 $a782.421680943 700 $aStein$b Deborah$01474438 701 $aSpillman$b Robert$01474439 801 0$bAU-PeEL 801 1$bAU-PeEL 801 2$bAU-PeEL 906 $aBOOK 912 $a9910785010703321 996 $aPoetry into Song$93688158 997 $aUNINA