LEADER 03407nam 2200625 a 450 001 9910784897703321 005 20200520144314.0 010 $a1-281-45830-9 010 $a9786611458300 010 $a90-474-1191-9 024 7 $a10.1163/ej.9789004157095.i-310 035 $a(CKB)1000000000401020 035 $a(EBL)468012 035 $a(OCoLC)320325877 035 $a(SSID)ssj0000166854 035 $a(PQKBManifestationID)11164891 035 $a(PQKBTitleCode)TC0000166854 035 $a(PQKBWorkID)10168590 035 $a(PQKB)10720455 035 $a(MiAaPQ)EBC468012 035 $a(OCoLC)77333802 035 $a(nllekb)BRILL9789047411918 035 $a(Au-PeEL)EBL468012 035 $a(CaPaEBR)ebr10234713 035 $a(PPN)170412210 035 $a(EXLCZ)991000000000401020 100 $a20061215d2007 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aHaikai poet Yosa Buson and the Basho? revival$b[electronic resource] /$fby Cheryl A. Crowley 210 $aLeiden ;$aBoston $cBrill$d2007 215 $a1 online resource (320 p.) 225 1 $aBrill's Japanese studies library ;$vv. 27 300 $aDescription based upon print version of record. 311 $a90-04-15709-3 320 $aIncludes bibliographical references (p. [292]-300) and index. 327 $tPreliminary Materials /$rC.A. Crowley -- $tIntroduction /$rC.A. Crowley -- $tChapter One. Buson, The Bunjin (Literati), And The Bash? Revival /$rC.A. Crowley -- $tChapter Two. Buson And His Audience: Anxiety And Transcendence /$rC.A. Crowley -- $tChapter Three. Anxiety And The Formation Of A Poet: Hokku 1740?1770 /$rC.A. Crowley -- $tChapter Four. An Unarmed Blossom Guard: Hokku 1771?1783 /$rC.A. Crowley -- $tChapter Five. Resisting Communality: Linked Verse Sequences /$rC.A. Crowley -- $tChapter Six. Buson And Haiga /$rC.A. Crowley -- $tEpilogue /$rC.A. Crowley -- $tAppendix /$rC.A. Crowley -- $tBibliography /$rC.A. Crowley -- $tCited Buson Hokku /$rC.A. Crowley -- $tIndex /$rC.A. Crowley. 330 $aThis book uses the haikai verse and paintings of the brilliant, innovative artist Yosa Buson (1716-1783) as a focal point from which to explore how Japanese writers competed for artistic authority in a time when popular responses to economic, technological, and social changes were creating the beginnings of a modern literature. The first part of the book discusses Buson's role in the Bash? Revival movement, situating his haikai in the context of the social networks that writers of his time both relied on and resisted. The second part explores Buson's hokku , linked verse, and haiga (haikai painting). The book concludes with a discussion of Buson's reception in the modern period, and includes translations of his principal works. 410 0$aBrill's Japanese studies library ;$vv. 27. 606 $aHaikai$xHistory and criticism 606 $aJapanese poetry$yEdo period, 1600-1868$xHistory and criticism 615 0$aHaikai$xHistory and criticism. 615 0$aJapanese poetry$xHistory and criticism. 676 $a895.6/132 700 $aCrowley$b Cheryl A$01474923 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910784897703321 996 $aHaikai poet Yosa Buson and the Basho? revival$93688859 997 $aUNINA